Show and Tell
The Guggenheim Museum’s beloved behind-the-scenes New York dance series, Works & Process, was founded in 1984 by philanthropist Mary Sharp Cronson.
Continue ReadingWorld-class review of ballet and dance.
Some choreographers integrate visuals, text and moods seemingly effortlessly. Colette Sadler is one such artist, as she has long created singular work which straddles performance art, visual art and dance. So it is with her gorgeous and meditative riposte to Daphne's punishment from Apollo, “Oracle Leaves.” In the original myth, while attempting to escape Apollo's brutal advances, Daphne is transformed into a tree. This piece pushes back, embracing an alternative vision, with a rebellious spirit at its core. It is a long, langorous stretch of limbs, a slow-burning beauty. Once you become attuned to its sparse setting, slow pace and short, angular bursts of movement, it is a performance of subtlety and invention, at once post-modern and traditional, using a unique methodology to steer the narrative into unknown places. There's even a reference to Artificial Intelligence within the script.
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“Oracle Leaves” by Colette Sadler. Image courtesy of Colette Sadler
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The Guggenheim Museum’s beloved behind-the-scenes New York dance series, Works & Process, was founded in 1984 by philanthropist Mary Sharp Cronson.
Continue ReadingThe late Alvin Ailey famously set his sights on creating “the kind of dance that could be done for the man on the streets, the people.”
Continue ReadingFew dance companies would dare to put such disparate pieces together. But such is the audacious, experimental spirit of Scottish Ballet.
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