Performing in front of a mirror, child-like and naive, Utashiro makes several motions of flight and almost floats and twirls and twists her way throughout the objects. Sunglasses are picked from a bag, put on and off as objects are grabbed and cherished like jewels. Biéde, which created all the objects and the costume worn by Utashiro, a beautiful incandescent yellow dress, creates a whirlwind of shapes and complements Utashiro's simple and understated performance. Her tattoos shine and indicate a change in acceptance in Japan which, until recently, has shunned body art and ink in general. As Murasaki Shikibu was a real cultural trailblazer in her day (over a thousand years ago) so is Utashiro in the modern day as she raps, dances with fury and purpose and is sure to be a global superstar in the coming years.
What Biéde is attempting here is a new way of seeing, a new vision of performance which incorporates fashion, branding, dance, music, narration and music. Not particularly easy to comprehend on first viewing, with a variety of elements and cultural and historical symbols being used to great effect, “Biéde in Motion” was a real event with a curated list of attendees from the various industries involved from fashion to dance. On the surface perhaps, it was an event and performance to celebrate the release of a new collection by Biéde and a new incense product. On another level it was a calculated and successful performance which merged and intertwined various artistic and creative disciplines in order to make a statement about culture and how culture is used in contemporary society.
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