Talent Time
It’s “Nutcracker” season at San Francisco Ballet—36 performances packed into three weeks—which means that the company is currently serving two distinct audiences.
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World-class review of ballet and dance.
It may not be the height of fashion—a dull grey hoodie worn upside down and backwards—but it certainly served a higher purpose in, “These Are the Ones We Fell Among,” a one-hour duet seen last weekend at the UCLA Nimoy Theater. (Formerly the Crest Theatre, the reimagined movie hall named for the late actor, director, and philanthropist Leonard Nimoy, has a full slate of performances scheduled for its inaugural 2023-24 season.)
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It’s “Nutcracker” season at San Francisco Ballet—36 performances packed into three weeks—which means that the company is currently serving two distinct audiences.
Continue ReadingLast week I caught up with choreographer Pam Tanowitz and Opera Philadelphia’s current general director and president, countertenor Anthony Roth Costanzo to talk about “The Seasons,” the company’s latest production premiering at the Kimmel Center’s 600-plus seat Perelman Theater on December 19.
Continue ReadingIf Notre-Dame remains one of the enduring symbols of Paris, standing at the city’s heart in all its beauty, much of the credit belongs to Victor Hugo.
Continue ReadingWhen dancer and choreographer Marla Phelan was a kid, she wanted to be an astronaut. “I always loved science and astronomy,” Phelan said.
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