Trajal Harrell, A Way of Moving
In a career spanning almost 30 years, American dancer-choreographer Trajal Harrell has created a body of work borne of a rich imagination and an enquiring mind.
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This performance of Alexander Whitley’s “Pattern Recognition,” which premiered at London’s Platform Theatre in April, was the kick-off to a five-leg autumn tour around the UK. The London-based choreographer has teamed up with digital designer Memo Akten to create a 50-minute contemporary work that uses motion-responsive technology to explore themes of consciousness, memory and fragmentation in the digital age. The technology comes in the form of eight chunky floor lamps that sense and track the dancers’ movements, responding with their own illuminated patterns. The lights, the programme makes clear, “are not pre-programmed but are driven only by the movement of the dancers.”
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Alexander Whitley and Natalie Allen in “Pattern Recognition” by Alexander Whitley. Photograph by Tristram Kenton
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In a career spanning almost 30 years, American dancer-choreographer Trajal Harrell has created a body of work borne of a rich imagination and an enquiring mind.
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