At once of the earth, and completely otherworldly, Akram Khan's apocalyptic last-ever solo piece as a performer (or so he has stated) grips from the outset, and never lets go. From the minute he is spat out onto the stage, tied to a rope which renders him as vulnerable as a newborn tied to the umbilical cord, or prisoner yearning to break free, this piece of choreography is a snarling beast. It is a nightmarish vision of a state of being in limbo, inspired by Prometheus. “Xenos,” which translates as 'foreigner' or 'stranger,' stands for anyone ostracised, othered, or incarcerated during times of conflict, or simply overlooked, put down or racially abused.
Akram Khan performing “Xenos.” Photograph by Ryan Buchanan