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Worlds to Come
REVIEWS | Rachel Howard

Worlds to Come

The final program of Pacific Northwest Ballet’s 50th anniversary season had a “cheering for the home team” flavor, and there was a lot to rally high spirits if you knew this team well.

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A Moveable Feast
REVIEWS | Victoria Looseleaf

A Moveable Feast

Volta Collective, founded during the pandemic by Megan Paradowski and Mamie Green, fuses physicality, theatricality and multidisciplinary approaches to performance, with their recent “Salt” a testament not only to the group’s culinary prowess, but also to their musical, dance, thespian and literary chops.

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Brush up Your Dante
REVIEWS | Eva S. Chou

Brush up Your Dante

For four weeks in May, Paris Opera Ballet ran contrasting programs in its two homes: at the smaller Garnier, the POB premiere of Wayne McGregor’s “The Dante Project” and, at the Bastille, a program of three Maurice Béjart works from the 1970s.

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Nobody
REVIEWS | Róisín O'Brien

Nobody

With “Nobody” from Motionhouse, it’s the second half that’s really worth watching; something gets cleared away, and the show focuses in on the performers themselves.

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Deep River
REVIEWS | Victoria Looseleaf

Deep River

In other words, “Deep River” was signature King: elongated, oblique moves, accentuated with filigreed arms, and deft and articulated footwork.

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SAB Resets
REVIEWS | Faye Arthurs

SAB Resets

Last year’s School of American Ballet Workshop performances marked two milestones: Suki Schorer’s 50th anniversary as a teacher, and Kay Mazzo’s retirement from the Chair of Faculty position after 40 years.

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Beauty to my Mind
REVIEWS | Karen Hildebrand

Beauty to my Mind

The elegance of New York’s City Center theater is a good look for Ballet Hispanico. Artistic director Eduardo Vilaro’s vision to champion the work of Latine choreographers is evident in the four featured artists of this program bill.

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“Biéde In Motion”
REVIEWS | Paul McInnes

“Biéde In Motion”

With backgrounds in planning for iconic Japanese fashion brand Comme des Garçons and archiving for the art industry, Tokyo-based consulting office Kleinstein run by Yusuke and Miki Koishi are real-deal intellectuals with a drive and aim to bring art, fashion and performance to the forefront of cultural consciousness.

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