Brooke Cassen: Different Dreams
Brooke Lockett, as she was known throughout her career, grew up in Ballarat and had a dream run to the stage.
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Bijayini Satpathy’s Odissi
This fall, Bjayini Satpathy has returned to New York to present what she has been developing in her home studio just outside of Bangalore in India.
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With Raised Voices
Stories are embedded in the dances of Gregory Maqoma, the South African choreographer and dancer whose work, “Broken Chord,” is currently at the Brooklyn Academy of Music’s Harvey Theater.
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A Bullseye
“Carmen” has been in the air this year. Especially at the Kimmel Cultural Campus. Almost as a prelude to the Philadelphia Ballet’s “Carmen,” the Philadelphia Orchestra presented choreographer Brian Sanders’ aerial play on Rodion Shchedrin’s 1967 “Carmen Suite” (created for his wife, the Bolshoi’s Maya Plisetskaya) last March at Verizon Hall.
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Layered and Redolent
In 2019, Pam Tanowitz gripped London with “Four Quartets,” an ode to T.S. Eliot that sparked five-star reviews and declarations of her supremacy in the 21st-century dance theatre scene.
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Radical Dance for Now
The Martha Graham Dance Company filled some of the Metropolitan Museum’s most impressive spaces for two full days with pop-up performances of six Graham solos choreographed in the 1930s.
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Quick Quick Slow
Malpaso Dance Company brought a vibrant slice of Cuban life to the Joyce last week: virtuosic dance, live music, humor, and of course, the salsa—an element that was ever-present as a through-line for the evening.
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Serge Laurent, Reflecting on Dance
When a balletomane thinks of gemstones, the name George Balanchine immediately comes to mind, specifically his masterpiece, “Jewels.”
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Gentlemen’s Club
Not for the first time at the Fall for Dance Festival, now in its 20th year, Chippendale’s emerged as the theme of the night. There were 32 male dancers across the three works on the festival’s third program, 31 of whom danced shirtless.
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Match Point
In 1913, a few weeks before the premiere of his revolutionary “Rite of Spring,” Nijinsky created another, smaller ballet for the Ballets Russes.
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A Season of Balanchine
The ballets of George Balanchine are a window into the company he, with the help and support of Lincoln Kirstein, created three quarters of a century ago. The fact that they and the company are still here is a kind of miracle if one thinks of the short afterlife of most ballets. How lucky we are that the two men met, and that Kirstein convinced Balanchine to try his luck in New York.
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Shaun Parker, King-Maker
Shaun Parker's path to artistic director and choreographer of an internationally renowned contemporary dance company is totally unexpected.
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Firebird Rising
Long before the dancers take the stage, Dance Theatre of Harlem’s season at New York City Center feels like one of the most energizing cultural events of the spring.
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Rare Birds
It is rare for George Balanchine’s grand, bedazzled “Symphony in C” to open a program. Its champagne-popping finale for 52 dancers tends to be a nightcap.
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The Spring is Blooming festival, by Dance Reflections by Van Cleef & Arpels, now in its fifth year, has become a highlight of the spring dance circuit.
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Jack of Hearts
As the audience come to their feet at the end of this ballet there is a noted difference to be seen on stage. Three women stand with joined hands, taking their call as the romantic leads of a loud and proud lesbian ballet.
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School Report
One of San Francisco Ballet’s greatest assets is its home venue, the Beaux-Arts style War Memorial Opera House, with four rings of seating that require performers to project their energies practically to the exosphere.
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