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Classical x Contemporary
REVIEWS | Victoria Looseleaf

Classical x Contemporary

While the world of ballet is considered a rarefied one, what happens when a dancer who trained at the prestigious Paris Opéra Ballet School abandons the art form—or rather integrates said terpsichorean skills—into a solo sans pointe shoes or ballet slippers, sporting, instead, sneakers? The answer can be found in Dimitri Chamblas’ stunning and thought-provoking work, “Ulysse Marion.” 

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Riches to Rags
REVIEWS | Elsa Giovanna Simonetti

Riches to Rags

There is something uncanny about the timing of the Paris Opera’s revival of Kenneth MacMillan’s “L’Histoire de Manon” at the Palais Garnier in October 2026, as turmoil unfolds in the streets of Paris.

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Back to the Future
REVIEWS | Faye Arthurs

Back to the Future

I’ve always wondered what it was like to be in the audience of a Balanchine premiere, and on October 8th, when the New York City Ballet revived “Pithoprakta” for the first time in 57 years, I got the closest I will likely ever come to that experience.

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Begin Again
REVIEWS | Eoin Fenton

Begin Again

Destruction is a loaded word, so blunt and final, it's hard to imagine a way to move forward from it. But if there was ever a choreographer who knew how to work from destruction it would be Omar Rajeh, and if there was ever a city that knew distraction too well it would be Beirut.

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A New Opus
PREVIEW | Robert Steven Mack

A New Opus

As the first evening that Gonzalo Garcia has programmed as Miami City Ballet artistic director, “American Rhythms” provides a glimpse into the future of one of America’s most prominent “Balanchine” companies.

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Classic Beauty
REVIEWS | Gracia Haby

Classic Beauty

The curtain rises on a fairy-tale and the theatre around me all but disappears. There is the sensation that I am turning the pages of Charles Perrault’s 1697 telling of Sleeping Beauty.

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More than a Vampire Story
REVIEWS | Sophie Bress

More than a Vampire Story

It’s important for young dance artists to have the space, time, and resources to create. With its mission of giving autonomy to dancers, Pangea Dance Collective, founded in 2022, is working to offer just that.

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Inner Landscapes
REVIEWS | Elsa Giovanna Simonetti

Inner Landscapes

Early in its 2026–27 season, the Paris Opera Ballet presents “Paysages intérieurs (Inner Landscapes),” and once again we are faced with the much-debated question of just how many contemporary mixed bills the company should programme.

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Lucy Guerin, Inc
REVIEWS | Gracia Haby

Lucy Guerin, Inc

At the end of the year, Lucy Guerin will step down as founding artistic director of Lucy Guerin Inc, with Melanie Lane to take the helm in 2027, and a new company name to be revealed.

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Salve for the Soul
REVIEWS | Victoria Looseleaf

Salve for the Soul

Whether Rosalía really stood on pointe for four minutes while singing “Reliquia,” on “Saturday Night Live” recently, or it was some sort of television trickery, the sight of her steadfastness on toe came to mind when watching the brilliant dancers of Houston Ballet make their debut at Segerstrom Center for the Arts on opening night of their five-performance run of the West Coast premiere of  “Sons de L’âme (Sounds of the Soul).” 

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Healing Hike
REVIEWS | Steve Sucato

Healing Hike

A hike where art moments happen along the way is how dancer-choreographer Dominic Moore-Dunson described his site-specific, outdoor dance-theater work, “Black by Nature.”

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