Kitty McNamee, Shining a Light
It’s not every contemporary choreographer who is able to cross over into directing large-scale opera. But that’s precisely what Kitty McNamee has done.
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Nearly spring and time for lightheartedness or hopefulness, and two of the three women choreographers in BalletX’s spring program gave us some sense of new beginnings. But the show ended with a reminder that we still face challenges ahead: Jennifer Archibald’s “Maslows Peak,” is loosely based on William Golding’s 1950’s novel of anarchy, Lord of the Flies.
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It’s not every contemporary choreographer who is able to cross over into directing large-scale opera. But that’s precisely what Kitty McNamee has done.
Continue ReadingDuring opening night of Ballet West’s performance of Val Caniparoli’s “Jekyll & Hyde,” my dad turned to me and said, “I remember you once told me that dancers are telling stories with their bodies.
Continue ReadingIn a small white studio space, the line between performers and audience is being blurred. Choreographer Meytal Blanaru, born in Israel but now Brussels based, has devised this piece along with the dancers, and it’s multifaceted indeed, a study in hope and community spirit, with many playful detours along the way.
Continue ReadingStaging the biographical details of someone’s life is by no means an easy task; doing so for a figure who was complex and controversial amplifies this charge to a new level.
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