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"Now ten years old, this extraordinary little magazine has grown to become a cultural mainstay, not just a valued critical source, but a cultural communicator, critic, review, booster and historian."

Brenda Way

ODC/Dance

Articles

Glitter Revolution
REVIEWS | Victoria Looseleaf

Glitter Revolution

Talk about perfection! While the countdown is on, as Gustavo Dudamel, music director of the world-class Los Angeles Philharmonic, prepares to exit the stage for the New York Philharmonic (a big boohoo), his presence last weekend at Walt Disney Concert Hall further cemented his status as musical genius, tastemaker and catalyst for good.

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Channeling Electricity

Channeling Electricity

Whether it resembles the slow, building roll of distant thunder or the immediacy of an overhead lightning storm, flamenco is electric. This energy, however, is an intimate one, and one...

Performance

Gala Flamenca

Place

New York City Center, New York, NY, February 26, 2026

Words

Sophie Bress

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Winter Games
FIELD NOTES | Candice Thompson

Winter Games

This winter has been one of the wintriest in recent New York City memory. Between the unnavigable mounds of dirty snow at every intersection, dangerous patches of black ice, multiple days of subzero temperatures, power outages, and frozen pipes, there has also been the bone-chilling rise of authoritarianism in America.

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Condors in Flight
REVIEWS | Kris Kosaka

Condors in Flight

Based in Tokyo, Condors is an all-male contemporary dance troupe founded by director and choreographer Ryohei Kondo in 1996. In their 30th year, the company retains all their original members with a few new additions.  

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All is Vanity
REVIEWS | Lorna Irvine

All is Vanity

Liv Lorent MBE is a gal I relate to, a choreographer with a penchant for the gothic, drawing upon the duality of traditions within narrative dance: the grand guignol and the sentimental.

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The New Firebirds
FEATURES | Caedra Scott-Flaherty

The New Firebirds

One thing that I love about the Firebird is that she is the hero,” said Catherine Hurlin, a principal dancer with American Ballet Theatre, in a Zoom interview on a snowy February morning.

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Bringing Timelines to Light

Bringing Timelines to Light

British choreographer Jaivant Patel has intersectionality at his core. He trained at the Northern School for Contemporary Dance and then went on to learn from Nahid Siddiqui, a global exponent...

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Winners and Some Questions
FEATURES | Greta Pieropan

Winners and Some Questions

The Prix de Lausanne 2026 crowned fourteen young dancers in its finale held at the Théâtre de Beaulieu in Lausanne, selected from 78 candidates who took part in the competition’s selection rounds. The jury this year was presided over by Kevin O’Hare, artistic director of the Royal Ballet.

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What We Hold
REVIEWS | Karen Hildebrand

What We Hold

Lights go up on three dancers who sit side by side on the floor in a far corner of the stage, legs outstretched, soles of their bare feet delightfully exposed. Siblings posing for a photo in the backyard? It’s a brief look, like a flashback.

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Together Apart

Together Apart

Mesmerizing to watch? Or commentary on life versus machine? The program performed by Lyon Opera Ballet at New York’s City Center is both. Merce Cunningham’s “Biped” (1999) features a double...

Performance

Lyon Opera Ballet: “Biped” by Merce Cunningham and “Mycelium” by Christos Papadopoulos

Place

Dance Reflections Festival by Van Cleef & Arpels, New York City Center, New York, NY, February 19, 2026

Words

Karen Hildebrand

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New Kids on the Block
REVIEWS | Elsa Giovanna Simonetti

New Kids on the Block

In the second week of February, an ensemble of young and remarkably accomplished dancers presented a lovely and generously conceived programme just beyond the Paris city limits, at the Théâtre des Sablons in Neuilly-sur-Seine, as part of a tour spanning not only several French cities but also Spain, Germany, Switzerland and Malaysia. The evening unfolded as a carefully balanced succession of styles, allowing the dancers to reveal both technical assurance and interpretative maturity. Overall, the cohesion of the ensemble and the clarity of their stage presence matched those of an established professional company. Yet this was not, strictly speaking, the...

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Tempests of Love
REVIEWS | Sara Veale

Tempests of Love

Oh to love and be loved, what a beautiful mess it is. Nobody captures the contradictions of passion quite like Pina Bausch, whose “Sweet Mambo” is cast in her signature silly-meets-sincere mould—another treat for us Bausch bods out here, less fetching perhaps if you’re not a fan of her highly mannered house style.

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The Beauty of Ballet

The Beauty of Ballet

Continuing a project launched in 2019, lyrical singer Ekaterina Anapolskaya and former Opéra de Paris sujet, now professor at the ballet school, Gilles Isoart curated an evening of international guests...

Performance

Les Beautés de la danse gala

Place

La Seine Musicale, Paris, France, January 30, 2026

Words

Elsa Giovanna Simonetti

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