In Orbit
To travel around, like the Earth in its recurrent, elliptical revolution around the sun, is no mean feat. Touring is a complicated, lengthy and costly affair.
Continua a leggere
World-class review of ballet and dance.
Lights go up on three dancers who sit side by side on the floor in a far corner of the stage, legs outstretched, soles of their bare feet delightfully exposed. Siblings posing for a photo in the backyard? It’s a brief look, like a flashback. The stage goes black, and once the music starts (Mendelssohn’s “Songs Without Words”), the three make their official entrances for “Trio” by Peter Stathas, first performed in 1985 by Stathas himself, along with Gerri Houlihan and Susan Rose. The dancers race about, holding hands as they wind around one another, making a series of human knots.
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To travel around, like the Earth in its recurrent, elliptical revolution around the sun, is no mean feat. Touring is a complicated, lengthy and costly affair.
Continua a leggere“Specky Clark” opens with a bang, then a whimper. The bang is the titular Specky’s mother, dropping dead onto the kitchen floor.
Continua a leggereThe sought-after choreographer Aszure Barton and award-winning composer Ambrose Akinmusire bend their individual arcs toward one another in their collaborative, multi-disciplinary work titled “A a | a B : Bend,” presented as part of Lincoln Center’s Pasculano Collaborative for Contemporary Dance.
Continua a leggereThere's a wonderful collection of photographs from 1911 of Nijinsky taken by Auguste Bert. Nijinsky was 21 and at the peak of his dance career.
Continua a leggere
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