Shakespearean Twist
It’s a drag to report that I had the urge to walk out of my first performance back in NYC after a long summer break.
Continua a leggere
World-class review of ballet and dance.
Mesmerizing to watch? Or commentary on life versus machine? The program performed by Lyon Opera Ballet at New York’s City Center is both. Merce Cunningham’s “Biped” (1999) features a double cast—one of human dancers, and another of computer generated figures. In “Mycelium” (2023), Christos Papadopoulos animates a regenerative root-like network of fungi as a meditation on symbiosis. Born 63 years apart, the two choreographers represent different eras, countries of origin, and movement styles. And yet these two works, presented as part of the Dance Reflections Festival by Van Cleef & Arpels, share much common ground.
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It’s a drag to report that I had the urge to walk out of my first performance back in NYC after a long summer break.
Continua a leggereThings seem to be clicking in place for Mamela Nyamza. Her latest work “The Herd/Less” is touring the world while her recognition as a choreographer with a distinction for the subversive and political has earned her a Silver Lion for dance at the Venice Biennale.
Continua a leggereAfter taking a field trip in the second grade to see the Alvin Ailey American Dance Theater, Ronald K. Brown was inspired to take his first dance class at Bedford Stuyvesant Restoration Corporation, a Brooklyn-based community center.
Continua a leggereAs much as it is a cliché to reference, there is something special in finding a work that so aptly fits that famous quote from George Balanchine: “See the music. Hear the dance.”
Continua a leggere
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