In Orbit
To travel around, like the Earth in its recurrent, elliptical revolution around the sun, is no mean feat. Touring is a complicated, lengthy and costly affair.
Continua a leggere
World-class review of ballet and dance.
Mesmerizing to watch? Or commentary on life versus machine? The program performed by Lyon Opera Ballet at New York’s City Center is both. Merce Cunningham’s “Biped” (1999) features a double cast—one of human dancers, and another of computer generated figures. In “Mycelium” (2023), Christos Papadopoulos animates a regenerative root-like network of fungi as a meditation on symbiosis. Born 63 years apart, the two choreographers represent different eras, countries of origin, and movement styles. And yet these two works, presented as part of the Dance Reflections Festival by Van Cleef & Arpels, share much common ground.
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To travel around, like the Earth in its recurrent, elliptical revolution around the sun, is no mean feat. Touring is a complicated, lengthy and costly affair.
Continua a leggere“Specky Clark” opens with a bang, then a whimper. The bang is the titular Specky’s mother, dropping dead onto the kitchen floor.
Continua a leggereThe sought-after choreographer Aszure Barton and award-winning composer Ambrose Akinmusire bend their individual arcs toward one another in their collaborative, multi-disciplinary work titled “A a | a B : Bend,” presented as part of Lincoln Center’s Pasculano Collaborative for Contemporary Dance.
Continua a leggereThere's a wonderful collection of photographs from 1911 of Nijinsky taken by Auguste Bert. Nijinsky was 21 and at the peak of his dance career.
Continua a leggere
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