On the Road
Since 1980, the Australian Ballet's National Tour (or really, the Dancers' Company as everyone calls it), is a much anticipated event for the graduating students of the Australian Ballet School.
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World-class review of ballet and dance.
Since 1980, the Australian Ballet's National Tour (or really, the Dancers' Company as everyone calls it), is a much anticipated event for the graduating students of the Australian Ballet School.
Continua a leggereOn a mid-summer evening, along the banks of the Hudson River in Lower Manhattan, a colorful band of performers costumed in orange and blue merged with the sunset and the water. Akihito Ichihara, principal dancer with the Butoh dance company Sankai Juku and founder of Elf, performed with a group of students who had just completed a workshop with him.
Continua a leggereEvery year at the Edinburgh Festival Fringe, I look forward to the Taiwan Season. A curated selection of shows within the organised chaos of the festival, the quality of the dancing is always exemplary. I caught two out of the four shows of this season’s offering.
FREE ARTICLEHow often have you sat in a dance piece that felt too long? Lewis Major’s “Triptych” successfully rises to the challenge of creating an evening of dance, without overstretching an idea into boredom.
Continua a leggereDance aficionados are on high alert any time there’s a new Bill T. Jones work. That the artistic director/co-founder and choreographer of the Bill T. Jones/Arnie Zane Company did not make dances for “The Motherboard Suite,” but directed it, still made for a solid evening of dance drama.
Continua a leggereOnce a year New York City dance lovers and Brooklyn beach-goers converge in the Venn diagram of performance art and natural splendor that is Beach Sessions Dance Series.
Continua a leggereThe temperature rose again on Thursday at the Hollywood Bowl, Los Angeles’ celebrated outdoor venue, when Spanish-American conductor François López-Ferrer brought the heat to the Los Angeles Philharmonic in a program dubbed “Symphonic Tango & Flamenco.”
FREE ARTICLE“Life is a thief,” pouts Alan Greig, emerging in the studio space clad in black vest, full skirt and voluminous trousers. Impish and imperious, he becomes Tennessee Williams in waspish mode even as he lies dying, or perhaps he's Blanche Dubois, looking to fill the void.
Continua a leggereThis provocative double bill showcases contrasting approaches to the body, and perceptions of how and why they take up and transform the space. It's also a meditation on art as an act of resistance, a form of political liberation.
Continua a leggereDuring her 15 years dancing with American Ballet Theatre, Melanie Hamrick always brought a book to rehearsal. “Sometimes if it wasn’t my cast—and because I’d done “Swan Lake” so many times—I’d try to sneak a book in my lap,” she remembers.
Continua a leggereThe Pilobolus troupe took over the Joyce Theater for three weeks this August with a rotating pair of programs: one was called “Dreams,” the other, “Memory.” Both titles were good catchalls for the company’s signature brand of surrealist, muscular theatricality.
Continua a leggereA unique cooperation by New York City’s five largest dance companies, BAAND Together Dance Festival was conceived as an effort to restart live dance performance after the pandemic.
FREE ARTICLELong before the dancers take the stage, Dance Theatre of Harlem’s season at New York City Center feels like one of the most energizing cultural events of the spring.
Continua a leggereIt is rare for George Balanchine’s grand, bedazzled “Symphony in C” to open a program. Its champagne-popping finale for 52 dancers tends to be a nightcap.
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The Spring is Blooming festival, by Dance Reflections by Van Cleef & Arpels, now in its fifth year, has become a highlight of the spring dance circuit.
Continua a leggereAs the audience come to their feet at the end of this ballet there is a noted difference to be seen on stage. Three women stand with joined hands, taking their call as the romantic leads of a loud and proud lesbian ballet.
Continua a leggereOne of San Francisco Ballet’s greatest assets is its home venue, the Beaux-Arts style War Memorial Opera House, with four rings of seating that require performers to project their energies practically to the exosphere.
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