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Swan Lake
REVIEWS | Di Gracia Haby

Becoming Odette

It is circles I see, and always have, whenever I listen, and often I do, to Piotr Illyich Tchaikovsky’s “Swan Lake.” For me, one stimulates the other, and the composition upon every visit sets to the business of drawing its familiar beloved circles, from the large and sweeping to the tightly coiled. Melodic circles that anyone can hum or whistle, or with finger tap out on the table; such a union of the senses is what “Swan Lake” is for me. That is what I hear in the music, and see in the choreography, a melody and a romanticism impossible...

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Nederlands Dans Theater
DANCE FILM | Di Gracia Haby

Move to Move

“Muscular preambles ripple beneath the skin. Shadows shift, tremble, hesitate. Something is being decided. A breeze of emotion underlines the mouth with clouds. The orography of the face vacillates. Seismic shocks begin. Capillary wrinkles try to split the fault. A wave carries them away. Crescendo. A muscle bridles. The lip is laced with tics like a theatre curtain. Everything is movement, imbalance, crisis.”—(One of the great silent film directors) Jean Epstein (1897-1953)

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