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States of Hope
REVIEWS | Karen Hildebrand

States of Hope

“States of Hope,” is a clever way to describe the conflicting internal voices that Hope Boykin brings to life in her new dance memoir that premiered at the Joyce in New York.

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With Raised Voices
REVIEWS | Marina Harss

With Raised Voices

Stories are embedded in the dances of Gregory Maqoma, the South African choreographer and dancer whose work, “Broken Chord,” is currently at the Brooklyn Academy of Music’s Harvey Theater. 

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A Bullseye
REVIEWS | Merilyn Jackson

A Bullseye

“Carmen” has been in the air this year. Especially at the Kimmel Cultural Campus. Almost as a prelude to the Philadelphia Ballet’s “Carmen,” the Philadelphia Orchestra presented choreographer Brian Sanders’ aerial play on Rodion Shchedrin’s 1967 “Carmen Suite” (created for his wife, the Bolshoi’s Maya Plisetskaya) last March at Verizon Hall. 

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Quick Quick Slow
REVIEWS | Karen Hildebrand

Quick Quick Slow

Malpaso Dance Company brought a vibrant slice of Cuban life to the Joyce last week: virtuosic dance, live music, humor, and of course, the salsa—an element that was ever-present as a through-line for the evening. 

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Gentlemen’s Club
REVIEWS | Faye Arthurs

Gentlemen’s Club

Not for the first time at the Fall for Dance Festival, now in its 20th year, Chippendale’s emerged as the theme of the night. There were 32 male dancers across the three works on the festival’s third program, 31 of whom danced shirtless.

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