Reframing American Cinema
The set is a mid-century living room. A green lamp and a bookcase rest downstage right; a typewriter and an abacus lie upstage on a desk. Cushioned chairs sit invitingly among scattered suitcases which are stuffed to the brim, and a single wooden chair sits center. This is the opening shot of Kayla Farrish's “Put Away the Fire, dear, pt. 2,” a second draft to the dancer/choreographer's exploration of American film and archetypes, which was presented as part of the La MaMa Moves! Dance Festival in the lower east side.
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