Drag Me To Hell
At once of the earth, and completely otherworldly, Akram Khan's apocalyptic last-ever solo piece as a performer (or so he has stated) grips from the outset, and never lets go. From the minute he is spat out onto the stage, tied to a rope which renders him as vulnerable as a newborn tied to the umbilical cord, or prisoner yearning to break free, this piece of choreography is a snarling beast. It is a nightmarish vision of a state of being in limbo, inspired by Prometheus. “Xenos,” which translates as 'foreigner' or 'stranger,' stands for anyone ostracised, othered, or incarcerated...
Continua a leggere