Giant Leaps
During the past ten years, Jody Sperling has created a portfolio of dance works that calls for action to protect and preserve the environment. She has traveled to the Arctic to dance on disappearing ice.
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Magic Numbers
To stand out in a sea of world premieres, honesty and emotionality are key, if Repertory Dance Theatre’s most recent program, “Venture,” is any indication.
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Enduring Magic
To Sir Frederick Ashton’s fast footwork and musicality belongs the Australian Ballet’s double bill “The Dream” and “Marguerite & Armand.” To the charming misadventure distillation of Shakespeare’s A Midsummer Night’s Dream bubbles “The Dream.”
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Love and Loss
The moment arrived two-thirds into the program, near the peak of Donald Byrd’s “Love and Loss.” For more than an hour, the beautiful bodies on screen had been doing eloquent things, to curiously numbing effect.
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A Gala Affair
Since its founding in 2012 by Benjamin Millepied, L.A. Dance Project has not been lacking in talent, ideas, or, fortunately for them, funding, something that most dance troupes desperately need.
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Somewhere and Fearful Symmetries Meet in Doug Varone and Dancers
When a choreographer takes on volcanic and iconic works from American musical giants like Leonard Bernstein and John Adams one move they could take is to cool them down with a couple of more soothing European works in between.
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Bloom Explorations
If you are an insect in the superorder Endopterygota, you have the super ability to experience complete metamorphosis. You can transform from the four stages of life—egg, larva, pupa, adult—in a process called holometabolism.
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The Barest of Margins
The Starlet in the ballroom with the candlestick. Or was it the Mobster in the billiards room with the dagger?
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Timeless
Timelessness is a quality that is hard to pin down. It’s easy to see when a work of art fails to achieve it.
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Music as Muse
Music was muse, medium, and the message during Kyle Marshall Choreography’s recent engagement at the Joyce Theater.
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Power Chords and Enigmatic Moves
WTF! And this reviewer means that in a good way. No, make that a great way! Whatever it was—and is—“takemehome,” the 65-minute work choreographed by Paris, France-based Dimitri Chamblas, was, by turns, provocative, enigmatic, stunning, stirring, singular and, well, something else again.
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Collective Forward Motion
As Ballet West celebrates its 60th anniversary, it is clearly on an upward trajectory. The company is consistently filling seats, tackling more ambitious work, and the company’s first triple bill of the season was no exception.
FREE ARTICLEFeatured Reads
Firebird Rising
Long before the dancers take the stage, Dance Theatre of Harlem’s season at New York City Center feels like one of the most energizing cultural events of the spring.
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Rare Birds
It is rare for George Balanchine’s grand, bedazzled “Symphony in C” to open a program. Its champagne-popping finale for 52 dancers tends to be a nightcap.
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The Spring is Blooming festival, by Dance Reflections by Van Cleef & Arpels, now in its fifth year, has become a highlight of the spring dance circuit.
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Jack of Hearts
As the audience come to their feet at the end of this ballet there is a noted difference to be seen on stage. Three women stand with joined hands, taking their call as the romantic leads of a loud and proud lesbian ballet.
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School Report
One of San Francisco Ballet’s greatest assets is its home venue, the Beaux-Arts style War Memorial Opera House, with four rings of seating that require performers to project their energies practically to the exosphere.
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