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Artistic Director, Pacific Northwest Ballet

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Fjord Review #7

Fjord Review #7

Discover insightful conversations with prominent figures in the dance world, essays on ballet history and performances, reviews of leading ballet companies, and stunning dance photography in our latest issue.

184 pages. 7.25″ x 10″

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all articles

Butoh Reframed
INTERVIEWS | Lorna Irvine

Butoh Reframed

Amelie Ravalec is a London-based French film director and producer, photographer, publisher and colourist. Her internationally screened films include Art & Mind, Paris/Berlin: 20 Years Of Underground Techno and Industrial Soundtrack For the Urban Decay.

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The Dreamer's Life
REVIEWS | Cecilia Whalen

The Dreamer's Life

A stool, a clothesline, a hanging sheet. But for these three things, the stage set for “Woolgathering” was largely empty. “Woolgathering” is a ‘spoken word opera’ directed and composed by Oliver Tompkins Ray with choreography by John Heginbotham, inspired by the poetic memoir by Patti Smith.

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Flaws in the Short Game
REVIEWS | Faye Arthurs

Flaws in the Short Game

The American Ballet Theatre’s opening bill was not a hole-in-one, but the ideas behind the programming were sound: feature a new work that builds upon company traditions (Gemma Bond’s “La Boutique”), push the dancers in a different style by a hot choreographer (Kyle Abraham’s “Mercurial Son”), and show off the troupe’s prodigious technical chops in a grand manner (Harald Lander’s “É tudes”). 

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Good and Evil, Embodied

Good and Evil, Embodied

During opening night of Ballet West’s performance of Val Caniparoli’s “Jekyll & Hyde,” my dad turned to me and said, “I remember you once told me that dancers are telling...

Performance

 Ballet West: “Jekyll & Hyde” by Val Caniparoli

Place

Capitol Theatre, Salt Lake City, Utah, October 25, 2024

Words

Sophie Bress

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Working the Room
REVIEWS | Lorna Irvine

Working the Room

In a small white studio space, the line between performers and audience is being blurred. Choreographer Meytal Blanaru, born in Israel but now Brussels based, has devised this piece along with the dancers, and it’s multifaceted indeed, a study in hope and community spirit, with many playful detours along the way.

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Music and Meaning
REVIEWS | Merilyn Jackson

Music and Meaning

I’ve been thinking about content for a while now. Without it, blogs, websites, and other social media die. But content, as an adjective, has a different meaning: to be pleased, gratified or even, complacent. It is also the root of the adjective contentious.

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Innovations Past and Present

Innovations Past and Present

The American Ballet Theater’s Fall Season opened at the Koch Theater with a program called “Innovation Past and Present,” which featured two world premieres and a company staple. 

Performance

American Ballet Theatre: “La Boutique” by Gemma Bond / “Mercurial Son” by Kyle Abraham / “Études” by Harald Lander

Place

David H. Koch Theater, Lincoln Center, New York, NY, October 16, 2024

Words

Faye Arthurs

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Atonement
REVIEWS | Róisín O’Brien

Atonement

When I first read Ian McEwan’s Atonement at university, my lecturer told us that, upon finishing the book, she threw it on the ground. 

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Darkness Never Dies
REVIEWS | Victoria Looseleaf

Darkness Never Dies

Touted as a “Halloween destination for ballet and horror fans alike,” American Contemporary Ballet, now in its thirteenth season—a feat in and of itself for any dance company—is presenting, “LA’s Fatal Attraction: “Inferno” (2017), “Burlesque” (2018), and “The Rite” (2023), in repertory throughout October.

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Water World
REVIEWS | Kris Kosaka

Water World

To children or the young at heart, it’s pure magic. “Mermaid,” the beloved Hans Christian Anderson fairy tale, reworked and dazzling to behold, is a new original production from K-Ballet Tokyo.

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Patrick Frenette, Rock Solid
INTERVIEWS | Victoria Looseleaf

Patrick Frenette, Rock Solid

After joining American Ballet Theatre as an apprentice in 2013, and becoming a member of the corps de ballet in January 2014, where his roles included Wilfred in “Giselle,” and Notary’s Clerk in “La Fille mal gardée,” Patrick Frenette, at 29, was finally promoted to soloist in July of this year.

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Dreams and Disorder

Dreams and Disorder

There are certain elements you can expect to find in any piece by Hofesh Shechter: a deafening, grungy, and distorted score composed by the choreographer himself; dim lighting and smoke...

Performance

Hofesh Shechter Company: “Theatre of Dreams”

Place

Sadler’s Wells, London, UK, October 9, 2024

Words

Emily May

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Mother Tongue
REVIEWS | Emily May

Mother Tongue

A colourful, decorative rug is positioned centre stage. “It lasted pretty well,” a disembodied voice comments through the speaker system, explaining how it was chosen for its pattern, which is ideal for concealing dirt.

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Romeo & Juliet Redux
REVIEWS | Victoria Looseleaf

Romeo & Juliet Redux

This is decidedly not your mother’s “Romeo and Juliet.” Indeed, Benjamin Millepied’s “Romeo & Juliet Suite,” choreographed for the superb members of his L.A. Dance Project, featured a female duo (Daphne Fernberger and Nayomi Van Brunt) in the titular roles at the Wallis Annenberg Center for the Performing Arts on Thursday. 

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Incubating New Work

Incubating New Work

Kaatsbaan Cultural Park in New York’s Hudson River Valley presented a program of new works over the final weekend in September as part of its 2024 Annual Festival.

Performance

Kaatsbaan Annual Festival 2024, featuring Limón Dance Company, Boca Tuya, Music From The Sole

Place

Kaatsbaan Cultural Park, Tivoli, New York, September 28, 2024

Words

Karen Greenspan

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