End of an Era
“Love and Legacy”—a fitting title to honour the end of Li Cunxin’s tenure as artistic director at Queensland Ballet.
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Big Bird
It may be unusual to imagine an ostrich in New York City, but it's certainly not unbelievable. New York's not all pigeons and rats.
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Holiday Gifting
“Century,” Amy Hall Garner’s joyful new work for the Alvin Ailey American Dance Theater, was crafted as a present for her grandfather on the eve of his 100th birthday. Such a personal gesture is unusual for a guest choreographer, but birthday ballets are certainly not out of place at the AAADT.
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New Vintage
Isadora Duncan. Doris Humphrey. Pauline Lawrence. These are the spirits invoked by artistic director Dante Puleio for “Women’s Stories.”
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Big Steps
The Sarasota Ballet is nothing if not ambitious. Under the artistic leadership of Iain Webb and Margaret Barbieri, the company has performed large nineteenth-century works like “La Sylphide” and “Giselle,” but also major works by Frederick Ashton like “La Fille Mal Gardée” and assorted ballets by Kenneth MacMillan, Antony Tudor, Paul Taylor, and George Balanchine.
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Human Movement
In one corner of the black-box stage, three musicians adjust their instruments: drums, double bass, clarinet. As each performer enters barefoot, they set down a pair of sneakers with toes lined against the back wall.
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The Eyes Have It
The Tiffany Mills Company and Ensemble Ipse recently teamed up for a weekend of shows at the National Sawdust Theater.
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Making a List
It’s the end of the year! How did we get here? I don’t think I’m alone in the impression that January was just yesterday.
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Lost History
Despite what Fox News wants the rest of the United States to believe about a “doom loop” in San Francisco, the reality in many of the city’s neighborhoods refuses to fit the media spin.
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With Marion
Leslie Cuyjet’s “With Marion” opens with a very particular coming-of-age tradition: the cotillion ball. In the the Kitchen’s temporary home at Westbeth, Cuyjet takes over the center of the loft space with a rectangle of screens.
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Best of Dance 2023
Astonish me,” said impresario Serge Diaghilev to choreographers, composers and collaborators of his famed Ballets Russes, the bespoke company that reigned supreme from 1909 through 1929.
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Thursdays are for Dancing
One of the reasons to see “Is it Thursday Yet?,” the new collaboration between choreographers Sonya Tayeh and Jenn Freeman inspired by Freeman’s diagnosis with Autism Spectrum Disorder, has little to do with the show itself.
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Firebird Rising
Long before the dancers take the stage, Dance Theatre of Harlem’s season at New York City Center feels like one of the most energizing cultural events of the spring.
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Rare Birds
It is rare for George Balanchine’s grand, bedazzled “Symphony in C” to open a program. Its champagne-popping finale for 52 dancers tends to be a nightcap.
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The Spring is Blooming festival, by Dance Reflections by Van Cleef & Arpels, now in its fifth year, has become a highlight of the spring dance circuit.
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Jack of Hearts
As the audience come to their feet at the end of this ballet there is a noted difference to be seen on stage. Three women stand with joined hands, taking their call as the romantic leads of a loud and proud lesbian ballet.
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School Report
One of San Francisco Ballet’s greatest assets is its home venue, the Beaux-Arts style War Memorial Opera House, with four rings of seating that require performers to project their energies practically to the exosphere.
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