Wicked Moves with Christopher Scott
Elphaba (Cynthia Erivo) steps down the steps, rests her hat on the floor and takes in the Ozdust Ballroom in Wicked. She elevates her arm, bringing her bent wrist to her temple.
Continua a leggereWorld-class review of ballet and dance.
Yin Yue is a dancer and choreographer based in New York. She is the artistic director of YY Dance Company, and has developed a signature training method and approach to movement called FoCo technique. FoCo (folk-contemporary) incorporates five elements (root/ground, wood/axis, water/surrounding, metal/tension and fire/kinesphere) and three rhythmic stages (pulse, drop, flow) across three training segments for dancers (triggering, rooting, mapping). The FoCo technique requires the dancer to masterfully integrate all elements, resulting in finessed texture and well-rounded movement quality.
YY Dance Company. Photograph by Whitney Browne
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Elphaba (Cynthia Erivo) steps down the steps, rests her hat on the floor and takes in the Ozdust Ballroom in Wicked. She elevates her arm, bringing her bent wrist to her temple.
Continua a leggereThe Sarasota Ballet does not do a “Nutcracker”—they leave that to their associate school. Instead, over the weekend, the company offered a triple bill of which just one ballet, Frederick Ashton’s winter-themed “Les Patineurs,” nodded at the season.
Continua a leggereI couldn’t stop thinking about hockey at the New York City Ballet’s “Nutcracker” this year, and not only because the stage appeared to be made of ice: there were a slew of spectacular falls one night I attended.
Continua a leggereLast week, during the first Fjord Review Dance Critics’ Festival, Mindy Aloff discussed and read from an Edwin Denby essay during “The Critic’s Process” panel.
Continua a leggere
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