Questo sito non supporta completamente il tuo browser. Ti consigliamo di utilizzare Edge, Chrome, Safari o Firefox.

Wishing & WanTing

Originally from Anshan, China, WanTing Zhao joined the San Francisco Ballet as a corps de ballet dancer in 2011. She has danced numerous principal and featured roles in Helgi Tomasson’s classical productions, and in Balanchine repertoire including “The Four Temperaments” (3rd Theme), and “Rubies” (principal). Recently Zhao danced in Benjamin Millepied's “The Chairman Dances,” which will return as an extended ballet in the company's 2018 season. In 2016 Zhao represented SFB with Carlo Di Lanno at the Eleventh International Competition for the Erik Bruhn Prize in Toronto, Canada, and she was awarded a silver medal at the 2010 Youth America Grand Prix. She was recently promoted to soloist. WanTing answered our questions via email. Photographs by Karolina Kuras, dresses by Louiza Babouryan.

WanTing Zhao photographed by Karolina Kuras.

subscribe to the latest in dance


“Uncommonly intelligent, substantial coverage.”

Your weekly source for world-class dance reviews, interviews, articles, and more.

Already a paid subscriber? Login

WanTing Zhao, soloist, San Francisco Ballet. Photographs by Karolina Kuras.

Where are you from, and how did you start in ballet?

I am from Anshan, China. My mother influenced me to start taking ballet classes when I was six.

How did you come to join SFB?

I was fortunate to be granted a scholarship by the Rock School in Philadelphia, and one of my teachers recommended that I audition for SFB summer program. Luckily, I received an invitation to be a part of the trainee program. During that time I fell in love with the city and the company, and I joined the company after I completed my year as a trainee.

Who has especially influenced your career?

Helgi Tomasson, the artistic director at SFB, has played such a pivotal role in my career. He has made so many opportunities possible and showed belief in me very early on.

When did you get promoted to soloist?

I received my promotion to soloist in April 2016.

How were you promoted and what did you feel?

The day I got promoted was totally unexpected. In the middle of class Helgi asked me to come outside for a moment, and shared with me that I was to get the promotion. After class had ended he announced the news to the rest of the dancers. It was kind of surreal, really.

WanTing Zhao of San Francisco Ballet. Photograph by Karolina Kuras

How has your life changed since your promotion?

Since the promotion I have had more opportunity to explore lead parts. I feel I have more responsibility and love rising to the challenge of growing myself as a professional dancer and expanding my role in the company.

How would you describe yourself as a dancer?

I would say that I enjoy the classical work; I love performing the beautiful and graceful pas de deux on stage. I also enjoy roles that require strong emotions and that are character driven.

What are you biggest challenges as a dancer?

Honestly, one of the most challenging times for me is “Nutcracker” season—32 shows in a row and trying not to get acne from the heavy stage makeup, haha.

Which ballets do you most enjoy performing?

I love performing “La Bayadère.” It’s such a classical role, the costumes are gorgeous; there is just something that is so powerful when you see all the dancers dressed in white performing in unison on stage. Pure beauty.

Stage or rehearsal?

I love that glorious moment of performing on stage in front of a crowded theater.

Which choreographers have you particularly enjoyed working with, and who would you like to work with?

It’s always a pleasure to work with Liam Scarlett. He’s very musical, and is able to translate his ideas very clearly and logically. An opportunity to work with Justin [Peck] would be amazing. I love his contemporary works.

WanTing Zhao of San Francisco Ballet. Photograph by Karolina Kuras

Is there an iconic role that you’d like to dance, and why?

“Lady of the Camellias,” “Swan Lake,” and “Carmen” because they each have a large acting component and lots of drama.

What have been your favourite / most memorable moments onstage so far?

My favorite moment on stage is when I feel fully serene. The moment of inner peace, when I feel perfectly in tune with my partner, the steps are completely natural and free, as if I don’t have to think about them. When all the hours of practice have paid off, and I can simply enjoy the moment.

What do you do on your day off in San Francisco?

Eat, haha. I love going to the museum, spending time with my boyfriend Ryan, and relaxing at home with my cat Jerry.

Penelope Ford


Penelope is the founding editor of Fjord Review, international magazine of dance and ballet. Penelope graduated from Law and Arts with majors in philosophy and languages from the University of Melbourne, Australia, before turning to the world of dance. She lives in Italy.

comments

Featured

An Evening with Omar
REVIEWS | Karen Hildebrand

An Evening with Omar

A duet featuring the choreographer himself was an unexpected treat when Boca Tuya, founded in 2018 by Omar Román de Jesús, took the stage at 92NY last week. De Jesús is a scintillating model for the liquid, undulating movement style that flows through all three works of the evening.

Continua a leggere
Dance Critics' Festival
Event | Di Penelope Ford

Dance Critics' Festival

Designed to look at the process and art of writing dance criticism, this one-day event will feature panel discussions with Fjord Review writers, audience Q&A sessions, a conversation with a special guest choreographer, and networking reception. 

FREE ARTICLE
Dreaming with Jawole Willa Jo Zollar
INTERVIEWS | Victoria Looseleaf

Dreaming with Jawole Willa Jo Zollar

Creating Urban Bush Women forty years ago—after having had a dream about her parents—Jawole Willa Jo Zollar may have stepped down as artistic director from the women-centered group dedicated to telling stories of the African diaspora through traditional and modern Africanist dance forms, but she’s busier than ever.

FREE ARTICLE
Balanchine's America
REVIEWS | Rachel Howard

Balanchine's America

George Balanchine loved American culture because he loved America. He had lived through tyranny and chaos as a boy in the Russian Revolution, and though his displays of affection for his adopted homeland could border on silly (like the Western bolo ties he favored as fashion statements), he never took for granted the possibilities he found here, never stopped extolling America’s freshness and energy.

Continua a leggere
Good Subscription Agency