Creative Risk
If the ballet world now seems inundated with Dracula productions, Frankenstein adaptations are a rarer sight.
Continua a leggereWorld-class review of ballet and dance.
Originally from Anshan, China, WanTing Zhao joined the San Francisco Ballet as a corps de ballet dancer in 2011. She has danced numerous principal and featured roles in Helgi Tomasson’s classical productions, and in Balanchine repertoire including “The Four Temperaments” (3rd Theme), and “Rubies” (principal). Recently Zhao danced in Benjamin Millepied's “The Chairman Dances,” which will return as an extended ballet in the company's 2018 season. In 2016 Zhao represented SFB with Carlo Di Lanno at the Eleventh International Competition for the Erik Bruhn Prize in Toronto, Canada, and she was awarded a silver medal at the 2010 Youth America Grand Prix. She was recently promoted to soloist. WanTing answered our questions via email. Photographs by Karolina Kuras, dresses by Louiza Babouryan.
WanTing Zhao photographed by Karolina Kuras.
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If the ballet world now seems inundated with Dracula productions, Frankenstein adaptations are a rarer sight.
Continua a leggereIt’s amusing to read in Pacific Northwest Ballet’s generally exceptional program notes that George Balanchine choreographed the triptych we now know as “Jewels” because he visited Van Cleef & Arpels and was struck by inspiration. I mean, perhaps visiting the jeweler did further tickle his imagination, but—PR stunt, anyone?
Continua a leggereAs I watch one after another pastel tutu clad ballerina bourrée into the arms of a white-tighted danseur, a melody not credited on the program floats through my brain. You know the one.
Continua a leggereMisty Copeland’s upcoming retirement from American Ballet Theatre—where she made history as the first Black female principal dancer and subsequently shot to fame in the ballet world and beyond—means many things.
Continua a leggere
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