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Swan Lake
REVIEWS | Di Gracia Haby

Becoming Odette

It is circles I see, and always have, whenever I listen, and often I do, to Piotr Illyich Tchaikovsky’s “Swan Lake.” For me, one stimulates the other, and the composition upon every visit sets to the business of drawing its familiar beloved circles, from the large and sweeping to the tightly coiled. Melodic circles that anyone can hum or whistle, or with finger tap out on the table; such a union of the senses is what “Swan Lake” is for me. That is what I hear in the music, and see in the choreography, a melody and a romanticism impossible...

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