Golden Touch
Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke.
Continua a leggereWorld-class review of ballet and dance.
Smuin is an unusual company. It was founded by former San Francisco Ballet co-director Michael Smuin in 1994, about a decade after San Francisco Ballet’s board declined to name him the company’s next director. For its first fifteen years, the new eponymous troupe mainly danced Smuin’s over-the-top theatrical spectacles, like “Zorro!” and “Carmina Burana.” When Smuin died suddenly in 2007, his longtime muse Celia Fushille became artistic director. She has continued to feed the audience the hammier Smuin spectacles they love, but she has also considerably stretched the repertory with the addition of works by Trey McIntyre, Stanton Welch, and James Kudelka. The latest addition to this roster, after two years of Covid delay, is Cuban choreographer Osnel Delgado. His premiere “The Turntable” challenged both the Smuin dancers and their audience, on a program that suggests the company’s greatest opportunity may lie in developing a more spontaneous relationship to music.
Performance
Place
Words
Terez Dean Orr and Tessa Barbour in Osnel Delgado's “The Turntable” for Smuin. Photograph by Chris Hardy
“Uncommonly intelligent, substantial coverage.”
Your weekly source for world-class dance reviews, interviews, articles, and more.
Already a paid subscriber? Login
Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke.
Continua a leggereFrench choreographer Lea Tirabasso makes dense, intricate work which explores existential concerns connected with science, nature and morality. Witty, vivid and visceral, her work pushes beyond simple genres or choreographic language, creating something far richer and more complex. Her most recent piece, “In the Bushes” is part of the Edinburgh Festival this year. Fjord Review caught up with Léa Tirabasso ahead of the Summerhall run.
Continua a leggereWhy Not Theatre’s bold, multidisciplinary adaptation of the Mahabharata drew a rapt audience at Lincoln Center’s vibrant summer arts festival “Summer for the City.”
Continua a leggereStephen Petronio has an odd way of celebrating his 40th anniversary. He and his board have decided this season will be the company’s last.
Continua a leggere
comments