World-class review of ballet and dance.
We are thrilled to announce the launch of our second printed edition Fjord Review #2! Contributed to by our brilliant cohort of writers, FR #2 is 160 pages of pure dance, in a totable, perfect-bound book, printed sustainably by carbon-offset certified printers Hemlock. We've stepped it up for FR#2 and will be releasing an incredible video in conjunction with this edition.
Godwin Merano and Arielle Miralles. Photograph by Karolina Kuras
Fjord Review #2 features photography by Karolina Kuras, design by Lorenzo Spatocco and is edited by Penelope Ford. As well as publishing in-depth reviews, interviews with stars of the stage and profiles of choreographers that move us, and feature articles for a deep dive into dance, we also have the pleasure of featuring some fantastic guest photographers.
FR#2 will be available through our website soon. Sign up to our newsletter for updates on the release, behind the scenes and more info on this sensational second edition. We are thrilled to be able to work with all our collaborators, and our heartfelt thanks to all who supported this edition! Stay tuned for updates on the launch of FR#2!
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“Flower and Decoy” is stark, darkly poetic dance theater. Combining traditional Japanese aesthetics, supernatural horror and street dance, Tatsuya Hasegawa leads his all-male dance troupe, Dazzle, through an intricate, abstract contemplation of myth and mortality.
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“Don Quixote” is a funny ballet—and I mean funny both as in odd and as in hilarious. This season, the American Ballet Theatre presented its fourth staging of this comedic classic, by artistic director Susan Jaffe and regisseur Susan Jones.
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Entering the theater at Lincoln Center’s Alice Tully Hall, one hears birds chirping and the blowing of the wind. Haze swirls from the open stage revealing only the faint outline of a set built to resemble the windswept, sandstone rock formations of Wadi AlFann (Valley of the Arts) in the ancient oasis of AlUla in the Saudi Arabian desert.
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A celebrated performer, educator and arts leader, Christopher Charles McDaniel, who was born in 1992 in East Harlem, New York, fell in love with ballet at age seven and has never looked back.
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