Dancing in Circular Time
Amrita Hepi, a choreographer with Bunjalung and Ngāpuhi roots, has come a long way from her home in the Pacific.
Continua a leggereWorld-class review of ballet and dance.
Equal parts dystopian horror show and raucous romp, Matthew Bourne’s “Lord of the Flies” is a firecracker of a production. Over two acts, nine members of Bourne’s New Adventures and 22 locally sourced teenagers retell William Golding’s allegorical tale of marooned British schoolboys and their atavistic descent.
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Matthew Bourne's New Adventures perform “Lord of the Flies.” Photograph by Helen Maybanks
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Amrita Hepi, a choreographer with Bunjalung and Ngāpuhi roots, has come a long way from her home in the Pacific.
Continua a leggereSir Kenneth MacMillan began his choreography for “Manon” with the pas de deux, and from this shining, central point spun outward. Building the story from its heart, almost as if from the inside out, the pas de deux reveals not only the emotional connection between the two dancers, but their place in the world.
Continua a leggereIf the ballet world now seems inundated with Dracula productions, Frankenstein adaptations are a rarer sight.
Continua a leggereIt’s amusing to read in Pacific Northwest Ballet’s generally exceptional program notes that George Balanchine choreographed the triptych we now know as “Jewels” because he visited Van Cleef & Arpels and was struck by inspiration. I mean, perhaps visiting the jeweler did further tickle his imagination, but—PR stunt, anyone?
Continua a leggere
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