Catching the Moment with Paul Kolnik
For nearly 50 years the legendary dance photographer, Paul Kolnik, helped create the visual identity of the New York City Ballet.
Continua a leggereWorld-class review of ballet and dance.
The last edition of Cannes’ Festival de danse was a kind of mirror of the times. Biennial, it skipped last year’s lockdown but called to account the new incertitude of this season. Director Brigitte Lefèvre, at her last mandate before the arrival of the newly appointed Didier Deschamps, rooted her last program in the metaphoric security of two themes: “earth” (after the other three elements: water, air, fire) and “femininity.” A link with the territory was also essential in the program: in cooperation with the Cannes based École Supérieure de danse, professional students could benefit from masterclasses, the Nice University organized a thematic conference, the city offered films projections and expositions, one of them dedicated to the famous ballerina Rosella Hightower, founder of the local academy.
CCN - Ballet de Lorraine perform “Sounddance” by Merce Cunningham at Cannes Dance Festival. Photograph by Nathalie Sternalski
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For nearly 50 years the legendary dance photographer, Paul Kolnik, helped create the visual identity of the New York City Ballet.
Continua a leggereTushrik Fredericks walks as if in a trance, arms floating forward and pushing back with each step. Fog transforms the air into a tangible element.
Continua a leggereHouston Ballet is the fourth largest ballet company in the United States, but when it comes to the talent of its top dancers, they are the equal of any American company.
Continua a leggereThe height of summer has arrived to New York’s lush and idyllic Hudson Valley. Tonight, in addition to music credited on the official program, we are treated to a chorus of crickets and tree frogs in the open-air pavilion of PS21 Center for Contemporary Performance.
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