New Voices from Japan + East Asia
Japan Society presented its 20th showcase of contemporary dance with works from emerging choreographers in East Asia over a mid-January weekend.
Continua a leggereWorld-class review of ballet and dance.
At the end of Batsheva Dance Company’s “Last Work,” a man sits with his back to us and his legs spread, apparently masturbating. Then he rotates to face us and we see he is cleaning a machine gun. Meanwhile, club music pounds, a frenzied crowd runs in circles, lights flash, streamers fly. Ian Robinson drags out a microphone and starts lashing it to the floor with masking tape. Then he screams.
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Japan Society presented its 20th showcase of contemporary dance with works from emerging choreographers in East Asia over a mid-January weekend.
Continua a leggereIn a four-day span of early January I saw: Monica Bill Barnes wrestle a giant beach ball at Playwrights Horizons; Malcolm-x Betts and Nile Harris shoot blanks into the rafters of the Chocolate Factory in honor of Judith Jamison’s spirit; Symara Sarai run in and out of a swirling lasso at New York Live Arts Studios; and Angie Pittman dart across a shallow stage, in character as a vampire, cape flying, at BAM Fisher Hillman Studio in a shared bill with Kyle Marshall Choreography. In short, it was APAP season.*
Continua a leggereSara Veale’s new book Wild Grace: The Untamed Women of Modern Dance (Faber & Faber) examines the lives of nine boldly subversive dancemakers over nearly a century, starting with Isadora Duncan and ending with Pearl Lang. Along the way, it provides a pared but potent mini-history on the emergence of women’s rights.
Continua a leggereNo matter the theme, an evening with David Dorfman Dance is likely to uplift. The gregarious choreographer has a habit of engaging with the audience pre and/or post show with energy approaching that of a church revival gathering.
Continua a leggere
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