Twenty Years of Los Angeles Ballet
The ballet community in Los Angeles, quite large and scattered, is fond of opining that they live in a “tough town for ballet.”
Continua a leggereFor the third year in a row, five of New York City's most iconic dance companies—Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem—joined forces for for the BAAND Together Dance Festival, hosted by Lincoln Center. Photographed by Steven Pisano.
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A Living Archive
Dance artists and scholars have long asked the same question: how do we document an art form that, by nature, exists in one moment and is gone the next?
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Refuge and Resistance
In a week of humanitarian crisis, of bodies mobilised and menaced, what a privilege it’s been to take refuge in art that radiates integrity, conviction and splendour.
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Opposite Day
George Balanchine famously said, “ballet is woman.” But unusually, in “Kammermusik No. 2,” he featured an all-male corps de ballet. I can think of one other men-only Balanchine dance, and it happens to be running the same week this winter season: “Prodigal Son.”
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I missed it this year. I was supposed to go on one of the days that the performance was canceled due to the extreme heat. I was so disappointed.