Dance to the Letter
Looking to the alphabet, many letters have been used to describe a swan, from the S of their long necks to the letters V and J to describe the overhead...
Continua a leggereWorld-class review of ballet and dance.
The porous borders of Rafael Bonachela’s “I Am-Ness,” Marina Mascarell’s “The Shell, A Ghost, The Host & The Lyrebird,” and Antony Hamilton’s “Forever & Ever,” when viewed as a collective, make a visionary trance, as Sydney Dance Company’s triple bill “Ascent” inhabits the stage at the Playhouse, Arts Centre Melbourne. Commissioned by and having premiered at the Canberra Theatre Centre at the beginning of the year, followed by Sydney Opera House, and a national tour, the invitation to weave together three strands and construct a whole, should you choose, is now extended to Melbourne audiences.
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Looking to the alphabet, many letters have been used to describe a swan, from the S of their long necks to the letters V and J to describe the overhead...
Continua a leggereThe past week has been one of celebration at New York City Ballet. The company is marking seventy-five years of existence with a season devoted to the ballets of its...
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