“All Mouth” shares the evening with Owen Prum’s “Extremely Chemical” as part of Out-Front! Fest. 2026, curated by Pioneers Go East Collective, and presented in the famous sanctuary of Judson Church in Greenwich Village. OutFront! centers queer and feminist artists, and over 13 years has established itself as a prime spot to discover emerging talent. Tonight is no exception.

The two works operate in a similar manner, which when viewed back to back renders them a matched set. Prum’s work could be a sketch for Warren's oil painting—or a black and white film short that screens prior to the technicolor feature. “Extremely Chemical” is fully abstract—the program note reads as experimental nonlinear poetry—and places trained dancers next to artists of other disciplines who move in a more pedestrian manner. It opens with a cluster of four performers chatting as if at a cocktail party, unaware of a gangly Prum who stumbles and flings himself about with angular elbows and knees. A sound score pulses out anxious waves of sound. Prum scoots across the floor on his belly, then mimes a grooming routine—rubbing hands as if washing up, smoothing his hair, repeatedly. His sneakers squeak against the floor.

Katerina Belmatch and Zo Williams disengage from the chatting cluster to form a series of elegant sculptural poses that gradually expand into hopping and cartwheeling. They trot with their arms held in a balletic fifth position above their heads. Richard McDonough and Joel Watson become rock musicians staging a sound check for an imaginary band. Prum gallops holding the reins of an invisible horse. Stage lights abruptly go to black out, ending the work mid-action.