Shakespearean Twist
It’s a drag to report that I had the urge to walk out of my first performance back in NYC after a long summer break.
Continua a leggere
World-class review of ballet and dance.
The world premiere of Remi Wörtmeyer's "La Bohème" marked a seminal moment in the history of BalletMet. The two-act production was unlike any that the 48-year-old Columbus, Ohio-based company has ever staged and showed a marked ascent in its artistic merit. Seldom made into a ballet, Wörtmeyer's reimagining of Italian composer Giacomo Puccini's iconic opera "La Bohème" relocated its setting from nineteenth-century Paris' bohemian Latin Quarter to America's bohemian heartland—the 1920s French Quarter of New Orleans. There, he combined the stage-filling spectacle of a Broadway musical with the dance-as-dialogue approach, and the precision gag humor of a Gene Kelly classic Hollywood movie to create an outstanding theatrical experience.
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It’s a drag to report that I had the urge to walk out of my first performance back in NYC after a long summer break.
Continua a leggereThings seem to be clicking in place for Mamela Nyamza. Her latest work “The Herd/Less” is touring the world while her recognition as a choreographer with a distinction for the subversive and political has earned her a Silver Lion for dance at the Venice Biennale.
Continua a leggereAfter taking a field trip in the second grade to see the Alvin Ailey American Dance Theater, Ronald K. Brown was inspired to take his first dance class at Bedford Stuyvesant Restoration Corporation, a Brooklyn-based community center.
Continua a leggereAs much as it is a cliché to reference, there is something special in finding a work that so aptly fits that famous quote from George Balanchine: “See the music. Hear the dance.”
Continua a leggere
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