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"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."

Peter Boal
Artistic Director, Pacific Northwest Ballet

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Fjord Review #6

Fjord Review #6

Book reviews of Lola Lafon’s Reeling, interviews with authors Mindy Aloff on Why Dance Matters and Marina Harss on The Boy from Kyiv, etc...

240 pages. 7.25″ x 10″

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all articles

A Tree Grows
REVIEWS | Marina Harss

A Tree Grows

Watching George Balanchine’s “The Nutcracker” the other night at New York City Ballet, I was struck, once again, by the sense of balance it both portrays and embodies. 

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By Moonlight
REVIEWS | Róisín O'Brien

By Moonlight

As the lights dim in Sadler’s Wells, I am struck by how dark the theatre I’m sitting in is. These few moments before a show begins create a unique situation of near complete trust on the audience; there’s no light, natural or artificial. 

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Giant Leaps
REVIEWS | Karen Hildebrand

Giant Leaps

During the past ten years, Jody Sperling has created a portfolio of dance works that calls for action to protect and preserve the environment. She has traveled to the Arctic to dance on disappearing ice. 

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Magic Numbers
REVIEWS | Sophie Bress

Magic Numbers

To stand out in a sea of world premieres, honesty and emotionality are key, if Repertory Dance Theatre’s most recent program, “Venture,” is any indication.

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Dancing for Real

Dancing for Real

On the cusp of celebrating their company’s milestone anniversary, Dwight Rhoden and Desmond Richardson, who co-founded the New York-based Complexions Contemporary Ballet in 1994, still have plenty to say, both...

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Enduring Magic
REVIEWS | Gracia Haby

Enduring Magic

To Sir Frederick Ashton’s fast footwork and musicality belongs the Australian Ballet’s double bill “The Dream” and “Marguerite & Armand.” To the charming misadventure distillation of Shakespeare’s A Midsummer Night’s Dream bubbles “The Dream.”

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Love and Loss
REVIEWS | Rachel Howard

Love and Loss

The moment arrived two-thirds into the program, near the peak of Donald Byrd’s “Love and Loss.” For more than an hour, the beautiful bodies on screen had been doing eloquent things, to curiously numbing effect. 

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A Gala Affair
REVIEWS | Victoria Looseleaf

A Gala Affair

Since its founding in 2012 by Benjamin Millepied, L.A. Dance Project has not been lacking in talent, ideas, or, fortunately for them, funding, something that most dance troupes desperately need.

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Bloom Explorations

Bloom Explorations

If you are an insect in the superorder Endopterygota, you have the super ability to experience complete metamorphosis. You can transform from the four stages of life—egg, larva, pupa, adult—in...

Performance

Recoil Performance Group: “MASS-bloom explorations” choreographed by Tina Tarpgaard

Place

Sylvia Staehli Theatre, Dancehouse, Melbourne, Victoria, November 17, 2023

 

Words

Gracia Haby

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Power Chords and Enigmatic Moves

Power Chords and Enigmatic Moves

WTF! And this reviewer means that in a good way. No, make that a great way! Whatever it was—and is—“takemehome,” the 65-minute work choreographed by Paris, France-based Dimitri Chamblas, was,...

Performance

Dimitri Chamblas and Kim Gordon: “takemehome” 

Place

REDCAT (Roy and Edna Disney/CalArts Theater), Los Angeles, CA, November 8-9, 2023

Words

Victoria Looseleaf

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Collective Forward Motion
REVIEWS | Sophie Bress

Collective Forward Motion

As Ballet West celebrates its 60th anniversary, it is clearly on an upward trajectory. The company is consistently filling seats, tackling more ambitious work, and the company’s first triple bill of the season was no exception. 

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From Blossoms to Moss
REVIEWS | Karen Hildebrand

From Blossoms to Moss

I’d nearly forgotten the many pleasures of watching dance from a folding chair on a riser in a SoHo loft, sound of sirens and traffic rising from the street outside to compete with the more subtle notes of a cello.

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Wings of the Dove
REVIEWS | Marina Harss

Wings of the Dove

Ola Maciejewska’s “Bombyx Mori” is the second hour-long work in the “Dance Reflections” festival I’ve seen so far. Is this a new trend in European dance, I wonder?

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Evie Ferris, Finding her Voice

Evie Ferris, Finding her Voice

We speak with Evie Ferris, the second Indigenous Australian to dance with the Australian Ballet, and the first Indigenous Australian to be a member of The Wiggles.

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