This site has limited support for your browser. We recommend switching to Edge, Chrome, Safari, or Firefox.

United

The inaugural Unite Ballet Festival, directed by Calvin Royal III, took place at the Joyce Theater from August 13-18, 2024. Over two different programs, the festival presented several world premieres as well as beloved repertory. Photographs by Steven Pisano

Calvin Royal III and Joao Menegussi in “Touché” by Christopher Rudd

1.

Calvin Royal III and Chrystyn Fentroy in the pas de deux from George Balanchine's “Apollo”

Tristan Brosnan, Kyra Coco, Duncan Mcilwaine, and Ingrid Thoms in “Night Pieces” by Duncan Lyle

2.

Aleisha Walker and Kobi Malkin (violin) in “Impatiens” by Aleisha Walker

Aleisha Walker in “Impatiens” by Aleisha Walker

3.

Ingrid Thoms and Kyra Coco in “Petalwing” by Adriana Pierce

Ingrid Thoms and Kyra Coco in “Petalwing” by Adriana Pierce

4.

Isabella Boylston in “Rozzi Suite” by James Whiteside

Herman Cornejo in “Flight” by Jae Man Too

Herman Cornejo in “Flight” by Jae Man Too

5.

Sae Eun Park and Paul Marque in “Le Parc” by Angelin Preljocaj

Sae Eun Park and Paul Marque in “Le Parc” by Angelin Preljocaj

6.

Luigi Crispino in “Turning to the Light” by Zhongjing Fang

Luigi Crispino in “Turning to the Light” by Zhongjing Fang

7.

Calvin Royal III in “Moonlight” by Royal III

Chloe Misseldine in “Tchaikovsky Pas de Deux” by George Balanchine

Steven Pisano


NYC/Brooklyn based photographer of dance, theater, opera, music, and sports.

comments

Featured

Our Generation
REVIEWS | Faye Arthurs

Our Generation

Quadrophenia is about young men . . . and I do weep for young men still, because we are still struggling,” Pete Townshend—80 years old—playfully told Stephen Colbert while promoting the latest incarnation of the Who’s 1973 rock opera and 1979 film: “Quadrophenia: A Rock Ballet,” which ran last weekend at City Center.

Continue Reading
Dreamscape
REVIEWS | Karen Greenspan

Dreamscape

The surge protectors needed replacement after the Hofesh Shechter Company’s concluded four nights performing “Theatre of Dreams” at the Powerhouse: International festival in Gowanus, Brooklyn.

Continue Reading
Monkey Business
REVIEWS | Garth Grimball

Monkey Business

In the 1996 comedy Multiplicity, Michael Keaton plays a man who decides to clone himself several times over in order to meet the demands of work and family. Chaos ensues. On November 14, San Francisco Opera premiered “The Monkey King” by Huang Ruo and David Henry Hwang. While the narrative features chaos, the line drawn between the 30-year-old film and this new opera is that the titular Monkey King is played by three performers; or one singer, one dancer, and a puppet; or, six performers total, because the puppet Monkey King requires three puppeteers. The Monkey King is an agent...

Continue Reading
Martha Graham in Paris
REVIEWS | Elsa Giovanna Simonetti

Martha Graham in Paris

If classical ballet training—from Vaganova to Cecchetti—idealises effortlessness, silence, and a body almost freed from its own weight, modern dance insists on the opposite: the blunt truth that we are made of flesh and bone, and that this matter can itself become an instrument of power.

Continue Reading
Good Subscription Agency