United

The inaugural Unite Ballet Festival, directed by Calvin Royal III, took place at the Joyce Theater from August 13-18, 2024. Over two different programs, the festival presented several world premieres as well as beloved repertory. Photographs by Steven Pisano

Calvin Royal III and Joao Menegussi in “Touché” by Christopher Rudd

1.

Calvin Royal III and Chrystyn Fentroy in the pas de deux from George Balanchine's “Apollo”

Tristan Brosnan, Kyra Coco, Duncan Mcilwaine, and Ingrid Thoms in “Night Pieces” by Duncan Lyle

2.

Aleisha Walker and Kobi Malkin (violin) in “Impatiens” by Aleisha Walker

Aleisha Walker in “Impatiens” by Aleisha Walker

3.

Ingrid Thoms and Kyra Coco in “Petalwing” by Adriana Pierce

4.

Isabella Boylston in “Rozzi Suite” by James Whiteside

Herman Cornejo in “Flight” by Jae Man Too

5.

Sae Eun Park and Paul Marque in “Le Parc” by Angelin Preljocaj

6.

Luigi Crispino in “Turning to the Light” by Zhongjing Fang

7.

Calvin Royal III in “Moonlight” by Royal III

Chloe Misseldine in “Tchaikovsky Pas de Deux” by George Balanchine

Steven Pisano

NYC/Brooklyn based photographer of dance, theater, opera, music, and sports.

comments

Featured

REVIEWS | Elsa Giovanna Simonetti

Modern Figures

“Racines”—meaning roots—stands as the counterbalance to “Giselle,” the two ballets opening the Paris Opera Ballet’s season this year.

REVIEWS | Elsa Giovanna Simonetti

Giselle Status

“Giselle” is a ballet cut in two: day and night, the earth of peasants and vine workers set against the pale netherworld of the Wilis, spirits of young women betrayed in love. Between these two realms opens a tragic dramatic fracture—the spectacular and disheartening death of Giselle.

REVIEWS | Sophie Bress

At Giselle’s House

Michele Wiles’ Park City home is nestled in the back of a wooded neighborhood, hidden from the road by pines and deciduous trees that are currently in the midst of their autumn transformations.

INTERVIEWS | Eoin Fenton

Cathy Marston's Sense of Narrative

I joined choreographer and artistic director Cathy Marston over a video call at the end of another day of rehearsals.