Glass Pieces
This week at the Joyce, the Van Cleef & Arpels Dance Reflections Festival presented its starriest program yet: “Dancing with Glass: The Piano Etudes.”
Continue ReadingWorld-class review of ballet and dance.
Overheard after the curtain drop on “Theme and Variations,” the opener of English National Ballet’s latest mixed bill: “Well, it was very Balanchine!” Love, like or loathe his neoclassical creations, George Balanchine knew the sticking points of a signature style. Beating footwork, silky port de bras, sharp lines and grand processionals—they’re all showcased here, and the ENB crew does an admirable job tackling their intricacies, Emma Hawes in particular, who floats to the front as our leading lady, bringing a flush of luxury to supple penchés and arabesques. She glows in pearly white, the corps a sherbet swirl of peach and lemonade, tutus bobbing as they pinwheel to a Tchaikovsky score.
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This week at the Joyce, the Van Cleef & Arpels Dance Reflections Festival presented its starriest program yet: “Dancing with Glass: The Piano Etudes.”
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