Hidden Worlds
“Circle Electric” makes a magnifying glass of the stage, and places different dancers in different configurations in the spotlight with the intention of observing them and thereupon making inquiries.
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Watching Richard Alston Dance Company perform is like visiting a Rothko exhibition. It’s tidy, bright and expressive, confident in what it is and isn’t. And it’s vividly abstract; you can drink in its colour and energy without the heft of narrative interpretation. With an Alston production you have the bonus of musicality, which the dancemaker excels at. On the other hand, ephemerality is part and parcel of the experience. The fleeting nature of dance takes on an outsized presence in this particular programme, the company’s farewell show after 25 years at the forefront of the UK’s contemporary scene.
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Jennifer Hayes, Niall Egan, Alejandra Gissler, Ellen Yilma in “Voices and Light Footsteps.” Photograph by Chris Nash
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“Circle Electric” makes a magnifying glass of the stage, and places different dancers in different configurations in the spotlight with the intention of observing them and thereupon making inquiries.
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