Piece by Piece
Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
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Aretha Franklin’s voice surges warm and bosomy from the sound system, singing the 1960’s Sam Cooke classic, A change is gonna come . . . As she sings, two dancers cavort below, an inane little chirping noise intrudes, and what we gather are tweets from the choreographer David Roussève appear above, emoticons and all. His favorite note from Aretha is about to come, he tweets. Listen for it . . . That one. The one that makes him feel mmmm. The way Wendy and Ryan are dancing, that’s the way that note makes him feel, he says. And he goes on to tweet that he didn’t understand how he felt about this song as a young black boy. As a grown black man, he understands. But he still doesn’t understand how he feels when he sees this . . . the song cuts, shots sound, we see grainy video of an unarmed young black man being shot by police officers. The dancers convulse and tremble. A dance can communicate how he feels, Roussève tweets. But is it enough?
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Ryan Smith and Wendy Rein in duet by Ann Carlson. Photograph by Andrew Weeks
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Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue Reading“I can’t even stand it,” exclaimed Tina Finkelman Berkett about the Perenchio Foundation grant that her dance troupe, BodyTraffic, recently received.
Continue ReadingBeneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.
FREE ARTICLEHubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.
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