Child's Play
Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continue ReadingWorld-class review of ballet and dance.
The show starts outside the theater. A car, with its right rear window busted out, pulls up, music blaring, bass turned up. A burly, formidable man exits the driver’s seat, opens the trunk, and props himself casually against the passenger-side door. From the trunk, Sati Veyrunes emerges. Veyrunes is small, spunky, and elfin—she parts the crowd as she begins to perform, channeling the music as though possessed. Veyrunes holds tension in her body almost like electricity—she melds with the beat like one does at 2 am, surrounded by strangers, everything enhanced by a (perhaps synthetic) euphoria. At times, Veyrunes’ eyes roll back in their sockets, her eyelids flickering, as though the music and the movement are allowing her to transcend her earthly body.
Performance
Place
Words
Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continue ReadingVous les voyez, les étoiles dans la salle?” the woman next to me whispered as the lights dimmed. And indeed, the stalls glittered with former stars of the Paris Opéra Ballet— dancers I recognised, visibly moved and deep in conversation during the interval.
Continue ReadingThere is probably no more beloved ballet, by audiences and dancers alike, than “Romeo and Juliet.”
Continue ReadingIn 2017 Virginie Mécène reimagined the lost Martha Graham solo “Ekstatis.” A review from that Martha Graham Dance Company premiere ended with a strong vote of confidence from critic Gia Kourlas: “Ms. Mécène should keep going.”
Continue Reading
comments