Child's Play
Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continue ReadingWorld-class review of ballet and dance.
How did you dance as a child in your bedroom? Before any kind of training, or the fumbling awkwardness of adolescence, I mean? In a series of wild routines, Katherina Radeva captures the feeling of dancing from when we were kids, governed by little more than energy, instinct and unabashed, uninhibited joy. It is this evocative spirit that permeates through her beautiful show, “40/40,” interrogating the spaces that women in middle-age take up. Our bodies, often sidelined, dismissed or ignored for more youthful figures in society, are repositories of life, love, complex emotions and boundaries, and we can only move forward as with time, one foot in front of the other. Radeva is a fearless, free, yet wise presence.
Performance
Place
Words
Katherina Radeva's “40/40.” Photograph by Beth Chalmers
“Uncommonly intelligent, substantial coverage.”
Your weekly source for world-class dance reviews, interviews, articles, and more.
Already a paid subscriber? Login
Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continue ReadingVous les voyez, les étoiles dans la salle?” the woman next to me whispered as the lights dimmed. And indeed, the stalls glittered with former stars of the Paris Opéra Ballet— dancers I recognised, visibly moved and deep in conversation during the interval.
Continue ReadingThere is probably no more beloved ballet, by audiences and dancers alike, than “Romeo and Juliet.”
Continue ReadingIn 2017 Virginie Mécène reimagined the lost Martha Graham solo “Ekstatis.” A review from that Martha Graham Dance Company premiere ended with a strong vote of confidence from critic Gia Kourlas: “Ms. Mécène should keep going.”
Continue Reading
comments