Piece by Piece
Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue ReadingWorld-class review of ballet and dance.
Cathy Marston has arrived. Actually, the British choreographer has been doing exciting work for decades now, but the Royal Ballet has finally given her a main stage commission, which is another way of punching her members’ card. Marston’s new ballet follows in the steps of a string of ambitious narrative productions for the likes of Bern Ballett and Northern Ballet, from “Wuthering Heights” to “Jane Eyre” to “Victoria.” Her passion (and gift) for dramatising left-field subjects hits a high note here: the focus is Jacqueline du Pré, a prodigious British cellist whose talent sadly dissolved in the clutch of multiple sclerosis. Marston has transcribed Du Pré’s biography with admirable compassion, celebrating her story without exploiting the tragedy that makes it dramatic.
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Marcelino Sambé and Lauren Cuthbertson in Cathy Marston's “The Cellist.” Photograph by Bill Cooper
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Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue Reading“I can’t even stand it,” exclaimed Tina Finkelman Berkett about the Perenchio Foundation grant that her dance troupe, BodyTraffic, recently received.
Continue ReadingBeneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.
FREE ARTICLEHubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.
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