This site has limited support for your browser. We recommend switching to Edge, Chrome, Safari, or Firefox.

Bright Young Things

Art is the only way to travel without leaving home.” Twyla Tharp’s quote rings truer than ever, as we negotiate our various states of isolation. For dancers, the Covid-19 pandemic has meant training at home, taking part in online classes, and interacting with dance fans via social media. For the foreseeable future, the performing arts are confined to the digital realm.

Photograph by Karolina Kuras

subscribe to the latest in dance


“Uncommonly intelligent, substantial coverage.”

Your weekly source for world-class dance reviews, interviews, articles, and more.

Already a paid subscriber? Login

Rewind a few months, when we were shooting for the second edition of Fjord Review #2, we were mindful of a new wave of dance talent. Bright Young Things, directed and filmed by Karolina Kuras, features ten up-and-coming dancers in a fashion collaboration with VSP Consignment. What I find inspiring about this project is the sense of innovation and creative drive, relevant now to the future not only of dance, but our society as a whole.

Many thanks to everyone who came together to create this film, including dancers Genevieve Penn Nabity, Jason Ferro, Tene Ward, Tom Leprohon, Godwin Merano, Lucy Elliott, Shale Wagman, Hannah Galway, Siphe November, and Arielle Miralles. Hair and make up by Ashley Readings, music by Naladog, choreography by Nicholas Rose, and backstage photography by Ethan Watts. Film concept and creation by Karolina Kuras. For the exclusive photoshoot, pick up a copy of Fjord Review #2 below.

Penelope Ford


Penelope is the founding editor of Fjord Review, international magazine of dance and ballet. Penelope graduated from Law and Arts with majors in philosophy and languages from the University of Melbourne, Australia, before turning to the world of dance. She lives in Italy.

comments

Featured

Wondrousland
REVIEWS | Steve Sucato

Wondrousland

With each dance season’s new ballets, some become memorable with audiences and critics for their artistry and emotional connection, fewer reveal themselves as hits, and even fewer have the potential to become box office record breakers. Tulsa Ballet's new “Alice in Wonderland” is the rare gem that does all three.  

Continue Reading
Interwoven Threads
REVIEWS | Karen Hildebrand

Interwoven Threads

Dreadlocks are not the first thing that come to mind, looking at UK artist Nicola Turner’s fiber sculpture currently installed at Carvalho Park gallery in East Williamsburg. But I hesitate to open a review with a vision of the poop emoji.

Continue Reading
Borderline
REVIEWS | Victoria Looseleaf

Borderline

Inspired by breaking, neo-classical ballet and dance theater, Rubberband, founded in Montreal in 2002 by Victor Quijada, presented two works at BroadStage over the weekend in what was seen as a homecoming of sorts for Quijada.

Continue Reading
Art Under Attack
REVIEWS | Karen Greenspan

Art Under Attack

The Batsheva Dance Company returned to the BAM Opera House this week bringing their latest evening length work, “Momo.” This was the ninth Batsheva production that BAM has presented since 2002. New York City dance lovers packed the venue amid tight security and outdoor protestors to see this foremost contemporary dance company perform a masterpiece of haunting and reflective beauty.

Continue Reading
Good Subscription Agency