BAAND in Pictures

For the third year in a row, five of New York City's most iconic dance companies—Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem—joined forces for for the BAAND Together Dance Festival, hosted by Lincoln Center. Photographed by Steven Pisano.

Alexa Maxwell of New York City Ballet and Antonio Cangiano of Ballet Hispánico perform in the world premiere of Pedro Ruiz’s “Pas de O’Farrill”

Ballet Hispánico in “Línea Recta” by Annabelle Lopez Ochoa

Dylan Dias McIntyre and Amanda del Valle perform in Annabelle Lopez Ochoa’s “Línea Recta”

Antonio Cangiano, Dylan Dias McIntyre, Omar Rivéra, and Leonardo Brito perform in Annabelle Lopez Ochoa’s “Línea Recta”

Antonio Cangiano, Omar Rivéra, and Gabrielle Sprauve perform in Annabelle Lopez Ochoa’s “Línea Recta”

Dance Theatre of Harlem in “Nyman String Quartet No. 2” by Robert Garland

Micah Bullard, Kouadio Davis, David Wright of Dance Theatre of Harlem in “Nyman String Quartet No. 2” by Robert Garland

Kamala Saara and Alexandra Hutchinson of Dance Theatre of Harlem in “Nyman String Quartet No. 2” by Robert Garland

American Ballet Theatre's Gillian Murphy and Aran Bell in “Other Dances” by Jerome Robbins

Alvin Ailey American Dance Theater in excerpt of “Dancing Spirit” by Ronald K. Brown

Constance Stamatiou and Yannick Lebrun in excerpt of “Dancing Spirit” by Ronald K. Brown

Constance Stamatiou in excerpt of “Dancing Spirit” by Ronald K. Brown

Steven Pisano

Steven Pisano is a performing arts photographer who works in New York and Philadelphia. His photographs have appeared in the New York Times, Washington Post, Dance magazine, Opera News, Feast of Music, Broadway World, and other online and print outlets featuring dance, opera, theater, and music.

comments

Beverly 九月 01, 2023

I missed it this year. I was supposed to go on one of the days that the performance was canceled due to the extreme heat. I was so disappointed.

Featured

REVIEWS | Faye Arthurs

Our Generation

Quadrophenia is about young men . . . and I do weep for young men still, because we are still struggling,” Pete Townshend—80 years old—playfully told Stephen Colbert while promoting the latest incarnation of the Who’s 1973 rock opera and 1979 film: “Quadrophenia: A Rock Ballet,” which ran last weekend at City Center.

REVIEWS | Karen Greenspan

Dreamscape

The surge protectors needed replacement after the Hofesh Shechter Company’s concluded four nights performing “Theatre of Dreams” at the Powerhouse: International festival in Gowanus, Brooklyn.

REVIEWS | Garth Grimball

Monkey Business

In the 1996 comedy Multiplicity, Michael Keaton plays a man who decides to clone himself several times over in order to meet the demands of work and family. Chaos ensues. On November 14, San Francisco Opera premiered “The Monkey King” by Huang Ruo and David Henry Hwang. While the narrative features chaos, the line drawn between the 30-year-old film and this new opera is that the titular Monkey King is played by three performers; or one singer, one dancer, and a puppet; or, six performers total, because the puppet Monkey King requires three puppeteers. The Monkey King is an agent...

REVIEWS | Elsa Giovanna Simonetti

Martha Graham in Paris

If classical ballet training—from Vaganova to Cecchetti—idealises effortlessness, silence, and a body almost freed from its own weight, modern dance insists on the opposite: the blunt truth that we are made of flesh and bone, and that this matter can itself become an instrument of power.