Super Nothing
In the world premiere of Miguel Gutierrez’s “Super Nothing,” the quartet of performers fly through the vast, empty black box theater at New York Live Arts, small forms cast out like particles of light.
Continue ReadingWorld-class review of ballet and dance.
It may not be the height of fashion—a dull grey hoodie worn upside down and backwards—but it certainly served a higher purpose in, “These Are the Ones We Fell Among,” a one-hour duet seen last weekend at the UCLA Nimoy Theater. (Formerly the Crest Theatre, the reimagined movie hall named for the late actor, director, and philanthropist Leonard Nimoy, has a full slate of performances scheduled for its inaugural 2023-24 season.)
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In the world premiere of Miguel Gutierrez’s “Super Nothing,” the quartet of performers fly through the vast, empty black box theater at New York Live Arts, small forms cast out like particles of light.
Continue Reading“Well, it’s big,” Seattle ballet fans were saying as they headed into McCaw Hall’s sleek sanctuary of velvet settees and shiny metal staircases.
Continue ReadingWho says choreography can’t be taught? Not Ellen Robbins, a modern dance educator who has been teaching the art of choreography to young people in Soho for decades.
Continue ReadingNever forget!” With the 80th anniversary of the liberation of Auschwitz and International Holocaust Remembrance Day both having been recognized last month, these words, although unspoken, coursed through Melissa Barak’s first evening-length ballet, “Memoryhouse.”
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