A Danced Rituel
When Frank Gehry was tapped to be the architect of Walt Disney Concert Hall, home to both the Los Angeles Philharmonic and the Los Angeles Master Chorale, he envisioned the space to be “a living room for the city.”
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There are “Nutcrackers,” and then there’s American Contemporary Ballet’s “The Nutcracker Suite.” And, oh, how sweet it is, both literally and figuratively! Originally choreographed in 2017 by ACB’s artistic director, Lincoln Jones, this ballet, billed as immersive (an overly used expression these days, and not altogether applicable here, unless immersive means lots of fake snow, complimentary Champagne, popcorn, ice cream and candy, yes!), has been pared down to its essence, both musically and otherwise.
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When Frank Gehry was tapped to be the architect of Walt Disney Concert Hall, home to both the Los Angeles Philharmonic and the Los Angeles Master Chorale, he envisioned the space to be “a living room for the city.”
Continue ReadingSan Francisco’s War Memorial Opera House is a grand, gracious theater, so it was a big deal to see the San Francisco Ballet School hold its end-of-year performances in that hall for the first time since at least 1985.
Continue ReadingAt its heart, “Sylvia” is a ballet about the resistance to love—a theme that continues to resonate deeply, as the human spirit often recoils from love, driven by fear, pride, a need for control, or the weight of duties and moral constraints.
Continue ReadingSince the 1970s, the Paris Opera Ballet has cultivated a distinctive tradition of nurturing its own dancers as emerging choreographers.
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