Child's Play
Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
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There are “Nutcrackers,” and then there’s American Contemporary Ballet’s “The Nutcracker Suite.” And, oh, how sweet it is, both literally and figuratively! Originally choreographed in 2017 by ACB’s artistic director, Lincoln Jones, this ballet, billed as immersive (an overly used expression these days, and not altogether applicable here, unless immersive means lots of fake snow, complimentary Champagne, popcorn, ice cream and candy, yes!), has been pared down to its essence, both musically and otherwise.
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Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continue ReadingVous les voyez, les étoiles dans la salle?” the woman next to me whispered as the lights dimmed. And indeed, the stalls glittered with former stars of the Paris Opéra Ballet— dancers I recognised, visibly moved and deep in conversation during the interval.
Continue ReadingThere is probably no more beloved ballet, by audiences and dancers alike, than “Romeo and Juliet.”
Continue ReadingIn 2017 Virginie Mécène reimagined the lost Martha Graham solo “Ekstatis.” A review from that Martha Graham Dance Company premiere ended with a strong vote of confidence from critic Gia Kourlas: “Ms. Mécène should keep going.”
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