Writing a New Story
What should ballet look like? From the eight pieces that compose the first program of Misty Copeland’s curation for the Joyce Theater’s annual Ballet Festival, this much is clear: there’s no one single answer.
Continua a leggere
World-class review of ballet and dance.
The Japan Society continued its Yukio Mishima Centennial Series with a newly commissioned dance work titled “The Seven Bridges (Hashi-zukushi)” based on Yukio Mishima’s short story by that name originally published in 1956. This playful, entertaining dance piece, geared toward family audiences, was a purposeful shift in programming—away from the usual sharp-edged seriousness of Mishima’s themes—to offer another side of his oeuvre. I was delighted to see this clever and current choreographic adaptation by the talented Takuro Suzuki performed by the very capable dancers of CHAiroiPLIN (a play on Charlie Chaplin’s name and the Japanese word chairoi, meaning brown). Suzuki was the perfect choice for realizing this project as he has a singular passion and skill for converting great literature into well-crafted dance works for audiences of all ages, which he does through a performance series called “Dancing Literature.”
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What should ballet look like? From the eight pieces that compose the first program of Misty Copeland’s curation for the Joyce Theater’s annual Ballet Festival, this much is clear: there’s no one single answer.
Continua a leggereOld and new generations intersect each other in the city of Venice. This is true for dance as well, which had the lagoon city as a picturesque backdrop this summer for the Biennale Danza, where poetry and intellectual excellence are still preserved in its artistic offerings, even under the siege of tourism.
Continua a leggereIt starts with a tiny, barely noticed jerk of a hand or arm. Just one simple gesture, and then all hell breaks loose. TF Cia de Dança brings what has to be one of the most frenzied, sweaty pieces of dance to the Edinburgh Festival.
Continua a leggerePart of artistic director Tony Mills’ remit at Dance Base is to seek out wonderful dance artists from across the world. This year, two sets of performances from Detours Festival, Brussels have been specially selected by Mills to perform in Edinburgh.
Continua a leggere
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