Fated Love
San Francisco Ballet artistic director Tamara Rojo has often said she believes ballet should operate more like Broadway, where shows have previews and work through revisions before the real premiere.
Continua a leggere
World-class review of ballet and dance.
The Japan Society continued its Yukio Mishima Centennial Series with a newly commissioned dance work titled “The Seven Bridges (Hashi-zukushi)” based on Yukio Mishima’s short story by that name originally published in 1956. This playful, entertaining dance piece, geared toward family audiences, was a purposeful shift in programming—away from the usual sharp-edged seriousness of Mishima’s themes—to offer another side of his oeuvre. I was delighted to see this clever and current choreographic adaptation by the talented Takuro Suzuki performed by the very capable dancers of CHAiroiPLIN (a play on Charlie Chaplin’s name and the Japanese word chairoi, meaning brown). Suzuki was the perfect choice for realizing this project as he has a singular passion and skill for converting great literature into well-crafted dance works for audiences of all ages, which he does through a performance series called “Dancing Literature.”
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San Francisco Ballet artistic director Tamara Rojo has often said she believes ballet should operate more like Broadway, where shows have previews and work through revisions before the real premiere.
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FREE ARTICLETwo works, separated by a turn of the century. One, the final collaboration between Bill T. Jones and Arnie Zane; the other, made 25 years after Zane’s death.
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