Limón, Past and Present
I can’t take my eyes off the men. Stephen Haley, Joey Columbus, and Ian Debono each have solos in “Mazurkas” that emphasize the Limón posture full of elegance and pride.
Continua a leggere
World-class review of ballet and dance.
The Japan Society continued its Yukio Mishima Centennial Series with a newly commissioned dance work titled “The Seven Bridges (Hashi-zukushi)” based on Yukio Mishima’s short story by that name originally published in 1956. This playful, entertaining dance piece, geared toward family audiences, was a purposeful shift in programming—away from the usual sharp-edged seriousness of Mishima’s themes—to offer another side of his oeuvre. I was delighted to see this clever and current choreographic adaptation by the talented Takuro Suzuki performed by the very capable dancers of CHAiroiPLIN (a play on Charlie Chaplin’s name and the Japanese word chairoi, meaning brown). Suzuki was the perfect choice for realizing this project as he has a singular passion and skill for converting great literature into well-crafted dance works for audiences of all ages, which he does through a performance series called “Dancing Literature.”
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I can’t take my eyes off the men. Stephen Haley, Joey Columbus, and Ian Debono each have solos in “Mazurkas” that emphasize the Limón posture full of elegance and pride.
Continua a leggereWhile the dancers traveled up from Florida, the Sarasota Ballet presented a taste of British sensibilities in its week-long engagement at the Joyce Theater.
Continua a leggere“This resting, patience” has been danced in cities ranging from Helsinki to Porto to Venice, and in all of them the crooning vocals of its most-repeated music, Burt Bacharach’s “What the World Needs Now Is Love,” must have been instantly familiar.
Continua a leggereIn the Chunky Move Studios, for Caroline Meaden’s “Immacolata,” presented as part of Melbourne Fringe Festival, two banks of seats, on the diagonal, hold a room.
Continua a leggere
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