Echoes of the Studio
In rehearsal, Dionne Figgins is exacting. She has an eagle eye as she runs choreography in short sections, making sure each detail is accounted for.
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There’s something that performer Robert Clark is struggling to articulate. As he muddles through his opening speech in Charlotte Vincent's first all-male work for Vincent Dance Theatre, “Shut Down,” the enormity of the topic he is trying to comprehend becomes apparent. There’s a problem with the image of masculinity—that of the strong, unemotional, alpha male.
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Vincent Dance Theatre performing “Shut Down” at the Place. Photograph by Bosie Vincent
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In rehearsal, Dionne Figgins is exacting. She has an eagle eye as she runs choreography in short sections, making sure each detail is accounted for.
FREE ARTICLEWhere do you go when you’re at the theatre? Are you looking for escape or confrontation? Do you want to weep for the world or tap your toe? In their latest tour to London for A Festival of Korean Dance, Korea National Contemporary Dance Company straddles somewhere in the middle.
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Continua a leggere
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