We All Fall Down
To fell a tree, after determining the fall path, you need to make a notch in the side of the trunk with your chainsaw.
FREE ARTICLEWorld-class review of ballet and dance.
There’s hot and then there’s scorching. Such was the case when Madrid-born Daniel Ramos made an astonishing debut in his first Los Angeles performance at BroadStage last Saturday. The occasion was the twelfth edition of Vida Flamenca’s Cumbre Flamenca Festival, a two-plus hour event produced by Beth Nesbitt. Also on the stellar bill: the keening sounds of cantaors Miguel Ángel Heredia and percussionist-singer Francisco “El Yiyi” Orozco, as well as the extraordinary guitarist Yerai Cortés.
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To fell a tree, after determining the fall path, you need to make a notch in the side of the trunk with your chainsaw.
FREE ARTICLEParis Opera Ballet presented an all-Robbins program at the Garnier from October 24 to November 10: “En Sol,” “In the Night,” and “The Concert,” all works Jerome Robbins made for New York City Ballet.
Continua a leggereThis week at the Joyce, the Van Cleef & Arpels Dance Reflections Festival presented its starriest program yet: “Dancing with Glass: The Piano Etudes.”
Continua a leggereWatching George Balanchine’s “The Nutcracker” the other night at New York City Ballet, I was struck, once again, by the sense of balance it both portrays and embodies.
Continua a leggere
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