Director's Cut
Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continua a leggereWorld-class review of ballet and dance.
One of the reasons to see “Is it Thursday Yet?,” the new collaboration between choreographers Sonya Tayeh and Jenn Freeman inspired by Freeman’s diagnosis with Autism Spectrum Disorder, has little to do with the show itself. “Is it Thursday” is part of the inaugural season at the Perelman Arts Center (known as PAC NYC), a new arts complex designed by the architect Joshua Ramus at the World Trade Center. It is a chance to check out the center’s interior spaces and get a sense of how it fits into the larger NY theater scene. Upcoming performances include a one man show by Laurence Fishburne and an opera about a Chinese-American soldier who was killed in Afghanistan. Next summer the Perelman will host a reimagined version of the Andrew Lloyd Weber musical “Cats,” seen through the lens of a dance style that developed in New York in the 1980s, called Ballroom. It seems that there will be something for everyone.
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Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continua a leggereThe Trisha Brown Dance Company embarks on a national tour this June celebrating the centennial of avant-garde American visual artist Robert Rauschenberg.
Continua a leggereFor Ballet Hispánico’s upcoming season at New York City Center from May 29-June 1, the company will present Gustavo Ramírez Sansano's “Carmen.maquia,” a contemporary take on the timeless story at the heart of George Bizet’s unforgettable opera “Carmen.”
Continua a leggereAngelina Laguna kneels on the sidewalk and places her body perpendicular to the flow of the First Avenue foot traffic.
Continua a leggere
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