A Ballet Festival
The theme driving Misty Copeland’s curation of the Joyce Theater’s Ballet Festival was “to center Black, Brown, and Queer artists.”
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World-class review of ballet and dance.
When is a music video also a dance film? This is a question that I’ve often asked myself as a result of the propensity amongst curators, speakers, museums, arts institutions and more to sort, arrange, label, and otherwise categorize works that contribute to popular arts and culture. With dance in particular there are times where I feel that even labeling work as classical, contemporary, commercial, or otherwise is at once too little and too much information. The thought that I keep arriving at is that I’m not sure that it serves anyone to categorize at all.
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The theme driving Misty Copeland’s curation of the Joyce Theater’s Ballet Festival was “to center Black, Brown, and Queer artists.”
Continua a leggereMy first two shows at this year’s Dance Base as part of the Edinburgh Fringe show the consummate taste of artistic director Tony Mills. Two brilliant young companies from the Basque Country perform very different, but no less thrilling, work.
Continua a leggereWhen dance happens in non-traditional spaces, it can change the way it is seen and experienced. As Leonard Cohen said about the cracks in everything, “that’s where the light gets in.”
Continua a leggere“Ballet: the New Classic,” brainchild of fashion photographer Yumiko Inoue and K-Ballet Tokyo associate artist, Shohei Horiuchi, combines haute couture with innovative dance. Like sculpture in motion, it’s their third collaboration since creative director Inoue and producer and choreographer Horiuchi first realized their stylish vision in 2022.
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