Dancing in Circular Time
Amrita Hepi, a choreographer with Bunjalung and Ngāpuhi roots, has come a long way from her home in the Pacific.
Continua a leggereWorld-class review of ballet and dance.
London’s the Place has been running its Resolution Festival for more than 25 years. The annual showcase, which presents a spate of new dance works throughout January and February, is a boon for emerging artists: along with a performance platform, the dancemakers who participate receive professional support and guidance throughout the production process—a valuable leg up in a dance scene as competitive as London’s. The festival’s track record for launching famous faces is another draw: some of the biggest names in contemporary British dance, including Wayne McGregor and Hofesh Shechter, got their start on the Resolution stage.
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Co_Motion Dance's “Force.” Photograph by Amy Lovelock
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Amrita Hepi, a choreographer with Bunjalung and Ngāpuhi roots, has come a long way from her home in the Pacific.
Continua a leggereSir Kenneth MacMillan began his choreography for “Manon” with the pas de deux, and from this shining, central point spun outward. Building the story from its heart, almost as if from the inside out, the pas de deux reveals not only the emotional connection between the two dancers, but their place in the world.
Continua a leggereIf the ballet world now seems inundated with Dracula productions, Frankenstein adaptations are a rarer sight.
Continua a leggereIt’s amusing to read in Pacific Northwest Ballet’s generally exceptional program notes that George Balanchine choreographed the triptych we now know as “Jewels” because he visited Van Cleef & Arpels and was struck by inspiration. I mean, perhaps visiting the jeweler did further tickle his imagination, but—PR stunt, anyone?
Continua a leggere
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